John Irving published his novel The Cider House Rules in 1985 to great critical and commercial acclaim. Centred on a Maine orphanage, its central topic of abortion perhaps is the most obvious allusion to the influence of Charles Dickens on Irving's work. The World According to Garp and The Hotel New Hampshire had already been filmed (Garp by the director George Roy Hill in 1982, and Hampshire by Tony Richardson in 1984), both to moderate success, but it wasn't until 1999 that Swedish director Lasse Hallstrom turned Rules into perhaps one of the best screen adaptations of a novel for some years.
The two main characters in "Rules" are Homer Wells, an orphan, and Dr Wilbur Larch, who's in charge of the orphanage where Homer grows up and has become a surrogate father to him. When Homer decides to leave the orphanage to experience the world, the film charts his progress from young boy to man amongst a diverse and fascinating series of encounters and characters. Memorable amongst these characters are Rose Rose, the daughter of a migrant worker at an apple orchard where Homer finds temporary employment; this story arc is the most gripping and to say any more would spoil it entirely! Other characters include Candy Kendall and her boyfriend Wally, who also work at the apple orchard; when Wally leaves to fight in World War 2, Homer and Candy embark on an affair that leads to an unexpected denouement.
The entire cast is exceptional and turn in some of the best work of their careers. Tobey Maguire is excellent as Homer, with a sense of innocence at first, and then gradually become worldly-wise as his life grows. As Dr Larch, Michael Caine won a Best Supporting Actor Oscar, (thoroughly deserved) sporting a terrific New England accent, and his scenes with the orphans are some of the most moving I've ever seen. Mention should also be made of the supporting cast, especially Delroy Lindo as Rose Rose's father, and Charlize Theron as Candy. Lindo gives his part plenty of angst and unexpected poignancy at one stage, and Theron simply shines on screen.
On DVD, technically "Rules" cannot be faulted. Oliver Stapleton's lush cinematography bathes almost every scene in rich autumnal glows, seen to terrific effect in a near-flawless 2.35:1 anamorphic transfer, and Rachel Portman contributes a wonderful score (often re-used for trailers) that sounds superb on the Dolby Digital 5.1 soundtrack, although the surrounds aren't used a lot except for the aforementioned music. Extras-wise, we get an audio commentary by Hallstrom, Irving, and producer Richard Gladstein, a 20-minute making-of featurette, 5 deleted scenes, the theatrical trailer and 15 (!) TV spots.
If I had to pick one film to take on to a desert island, at this point in time "Rules" would be it. I can't think of a better film I've ever seen, and that, as people who know me would testify, is certainly saying something! As a final note, John Irving won an Oscar for his script, and has a cameo role as the stationmaster in the film.