The Chinese Shawl (Miss Silver Mysteries)
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Review
'A particular favourite' (Andrew Taylor )
'Miss Silver is marvellous' (Daily Mail )
'. . . some of the best examples of the British country-house murder mystery' (Alfred Hitchcock magazine )
'Miss Silver has her place in detective fiction as surely as Lord Peter Wimsey or Hercule Poirot' (Manchester Evening News )
'Miss Wentworth is a first rate story-teller' (Daily Telegraph )
'You can't go wrong with Miss Maud Silver' (Observer )
'Miss Wentworth's plot is ingenious, her characterization acute, her solution satisfying' (The Scotsman )
'Patricia Wentworth has created a great detective in Miss Silver, the little old lady who nobody notices, but who in turn notices everything' (Paula Gosling ) --This text refers to the Paperback edition.
'Miss Silver is marvellous' (Daily Mail )
'. . . some of the best examples of the British country-house murder mystery' (Alfred Hitchcock magazine )
'Miss Silver has her place in detective fiction as surely as Lord Peter Wimsey or Hercule Poirot' (Manchester Evening News )
'Miss Wentworth is a first rate story-teller' (Daily Telegraph )
'You can't go wrong with Miss Maud Silver' (Observer )
'Miss Wentworth's plot is ingenious, her characterization acute, her solution satisfying' (The Scotsman )
'Patricia Wentworth has created a great detective in Miss Silver, the little old lady who nobody notices, but who in turn notices everything' (Paula Gosling ) --This text refers to the Paperback edition.
Product Description
Tanis Lyle was one of those passionate women who always get their own way. Her cousin Laura hated her. Most women did. But men found her irresistible and she used them mercilessly.
So when Tanis was found murdered there seemed to be any number of suspects on hand.
But Miss Silver had her own suspicions . . . --This text refers to the Paperback edition.
So when Tanis was found murdered there seemed to be any number of suspects on hand.
But Miss Silver had her own suspicions . . . --This text refers to the Paperback edition.
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Most Helpful Customer Reviews
4 of 4 people found the following review helpful
Format:Paperback
This case strays from what I think of as the usual Silver format, in that private enquiry agent Maud Silver isn't brought in during the 2nd or 3rd chapter by one of the sympathetic young lovers who generally turn up in her cases. Instead, she appears after a few chapters of character development spelling out quite clearly just how many people - both would-be lovers and *their* discarded partners - have a motive to kill Tanis Lyle, and Maudie's already engaged in a separate case - a matter of petty thefts from Tanis' wealthy guardian Agnes, who then extends the engagement to cover the murder investigation. (Agnes and her cousin Lucy are old acquaintances of Maud's school days, although they were never close, so she's actually staying with the client rather than a separate old school chum for once.) However, in this instance the flexing of the bonds of the Silver format does no harm; a very pleasant read as either a novel or a puzzle, if you like mysteries spiced with other human problems.
As in a later case, THROUGH THE WALL, at least two potential murder victims bear a strong enough likeness that when one is killed at night while wearing some of the other's clothing, there's some question as to which was the intended victim. Another similarity is that one is the (apparently) morally worthy heiress, the other a femme fatale, although in a much more drastic contrast than in the later book, where the femme fatale is a (somewhat) more sympathetic character. Motive won't help sort this one out - anybody who didn't have a motive to kill Tanis Lyle did have a motive to kill Laura Fane, and vice versa.
Laura Fane, as the sole surviving member of the senior branch of the family, holds title to the family estate - the Priory - but the next branch of the family has leased it for many years, since they had the money to keep it up, so cousin Agnes has lived there all her life. Jilted by Laura's father, then partly paralyzed by a riding accident, she's devoted herself to 3 things: nursing her grudge against Laura's long-dead parents, maintaining the Priory, and raising her orphaned young cousin Tanis Lyle. Agnes wants to buy the Priory outright, and to persuade Tanis (via her control of the pursestrings) to settle down and raise her son (currently parked with her ex's family), but Tanis prefers proving in wartime London that the enemy isn't the only destroyer of good men - or relationships.
Laura, on the other hand, while bearing a physical likeness to Tanis, is leavened with the milk of human kindness rather than a taste for cat-and-mouse games with men - or their partners' jealousy. But when she and one of Tanis' recent discards - a decent sort with a Distinguished Flying Cross, recovering from injuries that grounded him with temporarily messed-up depth perception - begin falling in love, Tanis arranges matters so that "the aunts" will be sure to raise Cain, seeing Laura as "stealing" Tanis' man, just as Laura's father jilted Agnes for another woman. When one of the girls is shot in the middle of the night, which was the intended victim?
Since the Priory is in Ledshire, Randall Marsh - superintendent and Miss Silver's favourite former pupil - is in charge of the official investigation. (He wryly comments that he's the only member of the family who's *not* in the Army - and he's the only male in his generation.)
As in a later case, THROUGH THE WALL, at least two potential murder victims bear a strong enough likeness that when one is killed at night while wearing some of the other's clothing, there's some question as to which was the intended victim. Another similarity is that one is the (apparently) morally worthy heiress, the other a femme fatale, although in a much more drastic contrast than in the later book, where the femme fatale is a (somewhat) more sympathetic character. Motive won't help sort this one out - anybody who didn't have a motive to kill Tanis Lyle did have a motive to kill Laura Fane, and vice versa.
Laura Fane, as the sole surviving member of the senior branch of the family, holds title to the family estate - the Priory - but the next branch of the family has leased it for many years, since they had the money to keep it up, so cousin Agnes has lived there all her life. Jilted by Laura's father, then partly paralyzed by a riding accident, she's devoted herself to 3 things: nursing her grudge against Laura's long-dead parents, maintaining the Priory, and raising her orphaned young cousin Tanis Lyle. Agnes wants to buy the Priory outright, and to persuade Tanis (via her control of the pursestrings) to settle down and raise her son (currently parked with her ex's family), but Tanis prefers proving in wartime London that the enemy isn't the only destroyer of good men - or relationships.
Laura, on the other hand, while bearing a physical likeness to Tanis, is leavened with the milk of human kindness rather than a taste for cat-and-mouse games with men - or their partners' jealousy. But when she and one of Tanis' recent discards - a decent sort with a Distinguished Flying Cross, recovering from injuries that grounded him with temporarily messed-up depth perception - begin falling in love, Tanis arranges matters so that "the aunts" will be sure to raise Cain, seeing Laura as "stealing" Tanis' man, just as Laura's father jilted Agnes for another woman. When one of the girls is shot in the middle of the night, which was the intended victim?
Since the Priory is in Ledshire, Randall Marsh - superintendent and Miss Silver's favourite former pupil - is in charge of the official investigation. (He wryly comments that he's the only member of the family who's *not* in the Army - and he's the only male in his generation.)
3 of 3 people found the following review helpful
Format:Kindle Edition|Amazon Verified Purchase
Laura Fane has inherited a house called The Priory on her twenty first birthday. It is currently rented by her aunt Agnes Fane but the various parts of the Fane family have been at odds since Laura's mother ran off with Agnes' fiancé. Agnes wants her other niece Tanis Lyle to inherit The Priory and is putting pressure on Laura to sell to her. In order to end the feud Laura is invited down to stay with Agnes.
Then the problems start. Tanis is found dead and any of the house party guests could have been the murderer. Maud Silver is staying in the house in order to investigate some petty thefts which have been taking place so she is in an ideal position to try and work out who is the murderer. The novel features Randal Marsh before he reaches the dizzy heights of Chief Constable.
There are many undercurrents throughout this novel and the whole atmosphere is very dark but believable. The characters are well drawn and throughout it all Maud Silver knits for her many friends and relations and watches the people around her for the small things which give them away. One of the best of the Miss Silver novels in my opinion.
Then the problems start. Tanis is found dead and any of the house party guests could have been the murderer. Maud Silver is staying in the house in order to investigate some petty thefts which have been taking place so she is in an ideal position to try and work out who is the murderer. The novel features Randal Marsh before he reaches the dizzy heights of Chief Constable.
There are many undercurrents throughout this novel and the whole atmosphere is very dark but believable. The characters are well drawn and throughout it all Maud Silver knits for her many friends and relations and watches the people around her for the small things which give them away. One of the best of the Miss Silver novels in my opinion.
6 of 7 people found the following review helpful
Format:Paperback
By the time you have read the first half of this 1943 murder mystery, you will know that Tanis Lyle is a beautiful young woman who has many enemies. When the butler then discovers Tanis's body, and the "small round hole in the silk of her coat a little below the left shoulder-blade", you will suspect that one of them has murdered her. You could be wrong! Miss Maud Silver, eccentric in dress and quaint in manner, will eventually be able to explain why.
Patricia Wentworth, like several other female British crime writers of her generation, contributed to the so-called "War Effort" in the early 1940s by increasing her production of the sort of murder mysteries that provided cosy, escapist relaxation. This one is a successful blend of her usual ingredients: romance, relationships, family dynamics crossing several generations, a murder or two, Miss Maud Silver as sleuth, and lots of dialogue.
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