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The Chemistry of Tears Hardcover – 5 Apr 2012


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Product details

  • Hardcover: 288 pages
  • Publisher: Faber & Faber; First Edition edition (5 April 2012)
  • Language: English
  • ISBN-10: 057127997X
  • ISBN-13: 978-0571279975
  • Product Dimensions: 16.1 x 2.6 x 24 cm
  • Average Customer Review: 3.7 out of 5 stars  See all reviews (31 customer reviews)
  • Amazon Bestsellers Rank: 239,475 in Books (See Top 100 in Books)

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Review

`Everything is burnished with vitalisingly poetic images. The Chemistry of Tears isn't only about life and inventiveness: it overflows with them.' --Peter Kemp, SUNDAY TIMES

`I loved this book for its mysteries, its hinted back stories, its reserve, and its underlying complexity.' --Lucy Daniel, DAILY TELEGRAPH

`Characters that beguile and convince, prose that dances or is as careful as poetry, an inventive plot that teases and makes the heart quicken or hurt ... this tender tour de force of the imagination succeeds on all fronts.' --Rebecca K. Morrison, INDEPENDENT

`It is remarkable, and rather cheering, to find that the fine bloom on his writing, the sharp, green bite of emotion and the pellucid observation seem entirely unaffected by success.' --Jane Shilling, EVENING STANDARD

`Yet another triumph for its creator, breath-catchingly beautiful and tender in places, with strange and shocking revelations slowly revealed.'
--Camilla Pia, THE LIST

'The book that has haunted me all year is Peter Carey's The Chemistry of Tears. Carey's intricately engineered novel explores the connection between heartsickness and precise and intellectually demanding manual labour.' --Jane Shilling, THE STANDARD, Books of the Year

Book Description

Following the recent success of Parrot and Olivier in America comes another wonderfully rich tale with historical themes from the twice Booker-winner.

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Customer Reviews

3.7 out of 5 stars

Most Helpful Customer Reviews

39 of 43 people found the following review helpful By MisterHobgoblin TOP 500 REVIEWERVINE VOICE on 17 April 2012
Format: Kindle Edition
Peter Carey is a voice man. He writes different voices very well, and puts them to good use in telling compelling stories. In The Chemistry Of Tears, Carey tells two interwoven stories - that of Catherine Gehrig, a modern day museum conservator grieving the loss of Matthew, her adulterous lover and that of Henry Brandling, a Victorian eccentric travelling to Germany to commission a clockwork duck for his ailing son. The trick, when Carey tells his interwoven stories, is to make each narrative more interesting than the other. Here he scores admirably: the reader is rudely torn away from one engrossing narrative but within a few lines in totally rapt in the alternating story.

Catherine's story is heartbreaking. Unable to publicly grieve the loss of her lover, the curator of the Swinburne Museum (presumably a V&A Museum lookalike) sends her off to a backroom to unpack tea chests containing a special project. As she begins to unpack, she discovers Henry Brandling's notebooks and various mechanical parts that need cleaning and re-assembling - presumably the duck. The restoration is absorbing, described in great detail but always in an accessible way, but the real joy is in the secondary characters. The curator, Eric Croft, is a Delphic figure - he knows about Catherine's affair; he has all sorts of hidden agenda which allows him to drip feed knowledge into conversations. He plays games with people, but gives the impression of being a benign force. Then there is Amanda, a young apprentice conservator set to work alongside Catherine - perhaps to keep an eye on her. There are other great cameos - particularly from Matthew's grown up children who fail to reassure Catherine that she didn't take their father away from them. Catherine is flaky, upset and emotional.
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9 of 10 people found the following review helpful By Cromarty Forth Tyne on 23 May 2012
Format: Hardcover Verified Purchase
I saw a positive review of this book on Newsnight and decided it was worth a read. I was wrong. The dual narrative of the 'conservator' mourning her lover who is given the task of restoring this mechanical wonder and that of Henry Fielding, the original 19th century patron searching for the mechanical miracle cure for his sickly son started out ok but I just couldn't care about the conservator.

The more interesting part of the narrative was indeed Henry making his way to a far-flung corner of present-day Germany to find someone who could build him this mechanical wonder but the present-day narrative just fell flat. I found myself not really caring what was happening to Catherine (the conservator) and her bereavement over her colleague/lover. Too much wallowing in self-pity and drink. Also, I work in a national museum and I can safely say, curators/conservators just wouldn't be so selfish and self-centred when it comes to precious items. Taking anything out of a museum unauthorised, would just not happen so I just didn't believe she could get away with that kind of thing.

Overall, the story, which is the key thing for me, just didn't work. It may be well written and technically brilliant or whatever else Peter Carey is supposed to be but in essence, this book, this narrative - just didn't have that chemistry that makes good storytelling a joy to become immersed in. I have to disagree with Andrew Motion on the back cover when he compares Peter Carey to Charles Dickens. Not in a million years! For me anyway.
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1 of 1 people found the following review helpful By missreader on 26 April 2013
Format: Paperback
The Chemistry of Tears tells the stories of Henry Brandling, who in the mid 1850s commissions the manufacture of a mechanical duck for his chronically ill son and unwittingly becomes embroiled in the madness of its creator's universe,and Catherine Gehrig ,a modern day horologist who is tasked with repairing the 'duck' following the sudden death of her married lover. The novel is an exploration of grief and the forces which drive us throughout our lives. In Henry's case, it is the prospect that his son will not live long enough to see the automaton combined with his presence in a foreign land, the workings of which he is unable, and apparently unwilling, to understand. Catherine meanwhile is in complete thrall to her grief and becomes engrossed in reading about Henry's experiences through notebooks which are found alongside the mechanical duck. The characters share a similar disbelief at the apparent disintegration of their worlds. Henry cannot believe that the maker of the 'duck' does not seem to appreciate the urgency of his task; Catherine cannot fathom her world without the presence of her lover. Both are so absorbed in their own struggle as to be unable to acknowledge the events occurring around them. Throughout the novel is a thread of helplessness, manifested by the mechanic Sumper in the early narrative and by the character of Amanda in the modern day setting. Both of these individuals appear mentally unstable, but their instability is a response to a world of which others seem to be in total ignorance.

I looked forward to reading this so much but have been sadly disappointed. I was tempted by the idea of horology and the narratives being linked across time. However, I found a lot of it completely baffling, unless that was the point??
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