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Brando was, of course, an established star by this time -- but still with the modesty and professional curiousity to explore "interesting" parts. The Chase gives him full scope to do this through the character of the fundamentally good and upright town sheriff -- a role that enables him to investigate both the problems of policing a small Texas town full of seething emotions (only just below the surface) and the conflict that one man has to face within himself and as a consequence of his public duty.
The screenplay -- by the talented Lillian Helman from a book by the brilliant and prolific Horton Foote -- is tight, multi-layered and full of excellent thow-away one liners that rattle off the hides of the generally unpleasant minor characters without leaving any visible moral impression.
The combination of three leads together with the excellent support of Robert Duvall, Angie Dickinson and EG Marshall gives this little piece a cast that would be impossibly uneconomic to put together again within a few years (although Fonda and Redford reunited the following year for the frothy Neil Simon comedy Barefoot in the Park).
Not great but an interesting period piece from when America was just about getting uncomfortable with some of the truths about itself -- which little films like this were doing their bit to reveal.
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