The Charnel Prince: Continuing the Saga of the Kindgoms of Thorn and Bone [Mass Market Paperback]

The biggest compliment I can give to Keyes is that I wish this series was done. Right now. I want to be able to read the rest of this and see how it comes out. Unlike The Briar King, Keyes ends this book on a bit of a cliffhanger. While Keyes doesn't break up the action with a vivid cliffhanger, one of the main characters is dealt a massive blow in a truly horrifying epilogue that shows just how evil one of the villains can be. What's even worse (or better, you could say) is that I had really grown to love this character, which made the ending even more of a shock. It left me with a pit in my stomach, which to me demonstrates just how good the characterization was.

Keyes continues his deftness at this characterization. Princess Anne is probably the best, as she grows up a lot in the span of six months or so. I guess running for your life will do that to you, but most of the haughtiness has left her by the time she reaches her final scene. She's done the work of washerwomen, been threatened with a marriage fostered in darkness, and realized that the love of her life isn't quite as pure as she had always believed. All of her arrogance has been blunted by the news of the deaths in her family as well as the mystical fate that seems to be in store for her.

Even better is Leoff, the composer who is on a journey to take a royal commission in the capital, not realizing what he's getting into. He's the true innocent, doing what he believes is right no matter what the consequences. The music in his heart and all around him captivates him, and the chance to write a piece of music that is unlike all others, despite what the church might say, draws him like a moth to a flame. His relationship with young Mery, who he finds hiding in his room, is wonderfully charming and innocent, as he takes the young girl under his wing and teaches her music. It's interesting to watch him deal with all of the political maneuvering going on around him because he is such a non-political creature. While he agrees to help Queen Muriele by composing a piece that will be unmatched, we get the feeling that he's doing it more to compose a piece like that than because he truly wants to help her. He is a good man, however, trapped in a world that could chew him up too easily if he missteps.

There are too many other characters to name them one by one, but they are all wonderfully done, with the small exception of Robert. He comes off a little flat in this one, possibly because of his circumstances. Thankfully, those circumstances do ultimately become interesting as we find out why he's around and what those circumstances are, as well as what they mean for the rest of the world. He is still, however, rather dull by himself. That he is the only one is a marvel, though, considering how many characters populate this book. Even the bit parts are well-rounded, given enough depth to be interesting even without delving deep into their background.

Everything else about the book is great, as was the first book. The prose, the world-building, everything. Keyes has created living, breathing societies that are all interrelated yet distinct. The religion is especially interesting. One can mildly criticize him for making yet another series where the church is on the side of the bad guys, but there are enough holy loners to make it clear it's not the religion itself at the center of the evil. It's just the men who have climbed to the height letting the power get to them.

The only bad thing about the book is the massive coincidence that brings together three of the disparate plotlines to the same place at the exact same time at the end of the book. Two of the three can be explained, as one of the characters is desperately tracking another before it's too late. However, the third one just stretched my allowances a little too far. It wasn't enough to completely destroy the book, but it might have if the rest of the book had been found wanting. Thankfully, the book itself holds your attention and won't let it go, so it's easy to allow this coincidence, notice it briefly, and then discard your annoyance because everything else is so good.

The Charnel Prince is a captivating read that grabs you, forces you through the ringer along with its characters, and then dumps you just when you want the book to go even further. I will be anxiously awaiting the third volume. Greg Keyes should be very proud of himself.

David Roy

It's not as grand as the Malazan books or George Martin's saga, and there i think is it's unique selling point. It has a back story that has just enough depth, there are numerous characters, but not so many that you lose track - yet the plot is compelling. I can't wait for part three. Just out of interest, does anyone know how many books wil complete the series? I'm not sure i can prepare myself for another marathon run like Robert Jordan.

The story in this book follows 6-7 main characters, all of whom are on the same side and are easy to sympathise with. There are some nice twists and a few mysteries. The plot is not completely black and white (although not too convoluted) so there are always questions. Most characters are on quests or doing 'active' things which tends to keep the action going throughout. There is some nice witty dialogue, especially from the Vitellians (Italians!). It also has more fantasy elements than the previous book, with unkillable knights, a variety of monsters and some magic.

I have given it four stars because it lacks some rather fundamental elements that I think a fantasy book requires:
1. The first is a map. Some go over the top, some just do the bare bones... but Keyes doesn't have one at all. He does a fair bit of geographical description and without a visual reference I found it rather frustrating.
2. The second is the lack of background to the characters and places. Tolkien wrote tomes to support Lord of the Rings; Martin has 50 pages of family trees in each book; most books have a list of characters; Keyes has nothing.

In short we are not told enough as the story develops. I understand it is important to only reveal key plot elements as you go along- especially with book paced like this - but the reader knows significantly less than the characters, which undermines the impact of certain events.

However, this is not significant enough to make a big difference to the score. This is a good book, an easy read and I look forward to the next in the series (particularly if Keyes can provide a bit more background - the Roanoke connection is most intriguing).