- Paperback: 288 pages
- Publisher: Thames & Hudson; 2 edition (6 Nov 1967)
- Language English
- ISBN-10: 0500200629
- ISBN-13: 978-0500200629
- Product Dimensions: 20.6 x 14.8 x 2.2 cm
- Average Customer Review: 5.0 out of 5 stars See all reviews (4 customer reviews)
- Amazon Bestsellers Rank: 200,727 in Books (See Top 100 in Books)
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More About the Author
Product Description
Product Description
With enthusiasm and learning, Alec Clifton-Taylor leads us through nine centuries of English cathedral architecture and decoration, from their Norman beginnings through the flowering of Gothic to the concrete and metal structures of the twentieth century. 203 illus., 4 in color.
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Customer Reviews
Most Helpful Customer Reviews
20 of 20 people found the following review helpful
Format:Paperback
One great feature about this book is that not only are there a lot of pictures, but there are cross-references to the pictures in the margins of the text. This shows that the author really wants to give you the opportunity to learn. So if you are willing to flip the pages, you can learn a lot from this book. My only complaint is that he does assume that you are reasonably familiar with the architectural terms. The glossary at the back is brief and has no illustration. I would recommend that you read this book together with Church Architecture: A Glossary of Terms by M. Child.
18 of 18 people found the following review helpful
Format:Paperback
Chapters: 1. Master-works of English Architecture, 2. The General Aspect of England's Cathedrals, 3. The Norman Period, 4. The Earliest Cathedral Gothic, 5. The Maturity of Early English, 6. The Beginnings of Decorated, 7. The Flowering of Decorated, 8. Perpendicular, 9. The Protestant Reaction, 10. The Last Hundred Years.
As you can see, this book focuses on the large-sweep of styles rather than going through each cathedral on an isolated basis. The book also skips back and forth to the same buildings over various chapters, due to the diverse amount of work from different periods in every English cathedral. This is not jarring at all if you read with the expectation of an overview of the style, rather than an area-by-area analysis of individual buildings.
The book is littered with high quality black and white photographs, at least one per double page, sometimes full-page, and occasionally up to three on a single page. They cover exterior, interior, and a wealth of crisp closeups of carvings and other detail. Floorplan illustrations can be found before the index, accompanied by brief descriptions of the noteworthy factors of each building.
The tone is scholarly, and despite being written in the 1960s, still rather accurate by today's standards - eschewing dubious and romanticised tales. His sheer enthusiasm for the style comes across well, with numerous statements of disappointment at lost original fittings or glass. The chapter on recent cathedrals contain the usual suspects (Westminster, Liverpool x 2, Coventry, Guildford, Truro), and, happily, does not skip past them in a cursory way in just a few pages - 14 gives a suitable impression of their worth.
The difference between this and the previous edition (excluding the different cover) is that this one is printed on higher quality paper. It wasn't a particular problem with the previous one (the photographs still looked good), but better paper is always preferable.
As you can see, this book focuses on the large-sweep of styles rather than going through each cathedral on an isolated basis. The book also skips back and forth to the same buildings over various chapters, due to the diverse amount of work from different periods in every English cathedral. This is not jarring at all if you read with the expectation of an overview of the style, rather than an area-by-area analysis of individual buildings.
The book is littered with high quality black and white photographs, at least one per double page, sometimes full-page, and occasionally up to three on a single page. They cover exterior, interior, and a wealth of crisp closeups of carvings and other detail. Floorplan illustrations can be found before the index, accompanied by brief descriptions of the noteworthy factors of each building.
The tone is scholarly, and despite being written in the 1960s, still rather accurate by today's standards - eschewing dubious and romanticised tales. His sheer enthusiasm for the style comes across well, with numerous statements of disappointment at lost original fittings or glass. The chapter on recent cathedrals contain the usual suspects (Westminster, Liverpool x 2, Coventry, Guildford, Truro), and, happily, does not skip past them in a cursory way in just a few pages - 14 gives a suitable impression of their worth.
The difference between this and the previous edition (excluding the different cover) is that this one is printed on higher quality paper. It wasn't a particular problem with the previous one (the photographs still looked good), but better paper is always preferable.
8 of 8 people found the following review helpful
Format:Paperback
After some introductory chapters, the material is presented in the chronological order of the "styles" of cathedral building covered. This results most cathedrals appearing in different chapters as some were constructed in phases spanning hundreds of years, but there is extensive and good cross referencing (both in the text and in the index). There is a floor plan of the cathedrals.
The book covers the topic of the development of Cathedral architecture thoroughly, but with warmth, and never in a dry manner. This is one of my favourite books!
The book covers the topic of the development of Cathedral architecture thoroughly, but with warmth, and never in a dry manner. This is one of my favourite books!
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