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This book is probably one of the darkest of the series mind you, there is a underlying suggestion of the coming, rather nasty, death throughout a lot of the novel. As aways Koko the seemingly psychic cat is hinting at what is happening in his own special ways but whether you can work out what his clues mean is a different thing altogether, ideal for cryptic crossword fans.
The vivid cast of kooky characters that are one of the best features of Lillian Jackson Braun's books are here as usual, Jim Qwilleran, reporter and 'owner' of Koko as always and the strange residents of his newest home with a group of artists, with their own problems which in one case will lead to murder.
The entire Cat Who... series are a delight for cat and mystery lovers and this is a good example of the series.
In this fourth book he lands in an improbable living situation, a boarding house for people interested in art run by a gourmet attorney who also cooks for them, and somehow the author manages, with the help of the big city atmosphere and the odd assortment of "characters" whom Qwill must deal in his work life, to make this improbable situation sound actually possible. Incredible bit of story telling, to me. Then we are introduced to several other incredibly improbable situations in perfectly credible ways, and before it was over I actually was interested in the outcome.
The reading is quick and easy, hypnotic, almost; I resented the telephone's interruption. My grandmother used to say a good story well told could transport you away just like a vacation; reading this book is like taking one of those little vacations.
Qwilleran is invited to a small dinner at the house of Robert Maus, a famous gourmet lawyer. The Maus Haus, as it is called, was once an art center but now has become the home of a group of exceptional and unusual people in the food business (this is the first appearance of Hixie Rice), and a pair of potters, Joy and Dan Graham. As it happens Joy was an old flame of Qwilleran's. When he finds out that there is an open apartment at the Maus Haus he snaps it up.
Qwill pretends that he is not falling for Joy again, but no one else, including Koko and Yum Yum, is fooled. Certainly Joy is not, in short order she asks Qwill to help her financially in getting a divorce from the nerdy Dan. He lends her $750. Suddenly there is a scream in the night and Joy disappears under suspicious circumstances. Qwilleran investigates, in league with Koko, who has graduated from communication via hairballs and the dictionary game, to using the typewriter.
In short order Robert Maus's house boy vanishes and Quill must solve two disappearances. And then follow repeated attempts to ruin the reputation of The Golden Lambchop, housemate Max Sorrel's restaurant. Throw in a few suicides from many years before and you have a plot as intricate as the webs Yum Yum has learned to weave with balls of yarn.
As is often the case in a Braun story the solution is apparent a little too early to pretend that this is really a mystery story. Really what Qwilleran and his assistants do is fill in all the pieces to that someone else besides Qwilleran will believe there is a crime. This is always great fun. Lilian Braun has a mischievous sense of humor that often shines through Quill's irreverent questions and musings. And his relations with his felines remind up what a precarious position homo sapiens really occupies on the evolutionary ladder.
Other readers have outlined and commented on the plot, so I will say only about it that the plot here is much better than in the previous city novels. It moves better and the outcome is more logical, more satisfying. But the author's forte is not plotting. It is in the remarkable characters, unusual without being grotesque (a fine line to walk), not the least of whom are Qwill's Siamese cats. To those who have read none of the series, it may sound just a little too cutesy, having prescient cats solve crimes, but the writer makes it work and work quite well.
The writer also excels in creating atmosphere, the city, the newspaper office, fancy and not so fancy restaurants and Maus Haus, a rather weird boarding house for people interested in food--and in pottery.
Like Dickens, Ms. Braun invents no astonishing plots. Her great strength is in making characters come to life in interesting settings. As in Dickens, characters and settings are sufficient.
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