The Casual Vacancy [Hardcover]

Oh dear! There seems to so much negativity on this review board that it is difficult to start a positive review without dealing with some of it. I think I will therefore start with some advice as to who shouldn't buy this book, this might save some people some money and also stop this board from filling up with largely unhelpful 1 star reviews.
Don't buy it is you resent paying a tenner. That's how much it costs. It's a new book by a much loved best -selling author and you're reading it within a few days of publication. Get over it.
Don't buy it if you want a roller-coaster fast- moving plot. This is a quietly written character driven novel that requires a bit of patience and thought. It needs its length for the many characters to develop. You can't really comment on it until you've read it right to the end.
Don't expect any magic. This is a starkly realistic novel. I would view this as one of its strengths but if you can't take "warts and all" characterisations of ordinary people and some pretty unsavoury behaviour than stay away.
Don't buy it if you have knee jerk political opinions. Many people seem to see this book as a snobbish and judgemental duffing up of the poor old squeezed middles. This isn't in fact the case, everybody gets a pretty good duffing up but if you believe everything it says in The Daily Mail (or The Guardian for that matter) it might be an idea to stay away :-)
You need to have a bit of patience with the characters. They are not at first sight loveable (any of them) but if you've read the first few chapters and have decided (correctly) that Samantha is a first class bitch and Fats is an appalling little shit then please give them a little more time. Character development is a lot of the point of this book. You will know most of the major players a lot better by the end.
Who then should buy this book? I think basically if you enjoy literary fiction then you are in with a chance. Having said that I still think there will be plenty of "high brows" who will dislike it. It is very plainly written with a slow linear plot line. You will find no hint of Amis type literary smart-arsery so don't expect it. Secondly (shock horror) the book has moral content, in fact the last few chapters of part five are basically the parable of the good Samaritan and in part six some of the cast find a kind of "redemption". I'm surprised no-one else has pointed this out. If you are going to be dreadfully offended by this then again, stay away.
For myself I liked it a lot, I can't think of another modern novel to compare it to, with its slow pace, large cast of well-drawn characters and slight preachiness it is curiously old fashioned. If I have any criticism at all it is that one or two of the large cast do remain a little 2 dimensional but Fats, Andrew, Krystal and a few of the others will stay with me for a long time. To flesh everybody out in the same detail would have required an even longer book, as it is I read the whole 500 pages in two days, I wasn't a particular Harry Potter fan, If I hadn't been enjoying it I would have given up. Draw your own conclusions.

The casual vacancy.
J.K.Rowling

I may be unusual amongst reviewers of J.K.Rowling's latest book in that I have never read a Harry Potter story, not being drawn to the celebration of public schools, nor to fantasy stories of wizards and dragons (nor to Tolkien, Wagner, or model railways, but that's another story).

Here we have a further iteration of the English village novel, but in this version not a celebration of the genre, nor of the people or their manners. It is more a full frontal assault on the complacency, hypocrisy , selfishness, narrow-mindedness and sheer unpleasantness of the great majority of the inhabitants of Pagford, somewhere not far from Bristol. I have to confess that for long parts of this book I asked myself the question 'why bother?' Why does the author bother to skewer these people so relentlessly, what animus drives her to spend so much time and effort revealing their nastiness as if we didn't recognise it already? Settling scores? And if so, do we need to be there?

But, and there is a but, JKR brings forward some characters who are rarely encountered, and insists we notice them. Most notable is Krystal, school age daughter of a drug addict, resident of a 'sink estate' as other people in the village would term it, foul mouthed, sexually promiscuous, and the carer of her 3 year old brother. She is both brave and desperately in need of affection. Krystal is one of a range of teenage characters who JKR is able to present persuasively, as if from the inside. Others include Sukhinder, a self-harming Sikh girl, from the only Asian family in the village; Andrew whose crush on Gaia is brought to life with complete conviction, and who brings back vivid memories for the non-teenage reader; Gaia herself, exiled from London by her single parent mother's move from Hackney, privileged by good looks but enraged by her mother's unpleasant boyfriend; and 'Fats', whose lacerating wit covers his unhappy home and hatred of his father. The families that these young people live in are mercilessly exposed by JKR as nests of mutual dislike, infidelity, backstabbing and cruelty. Did Harry Potter go to boarding school? No wonder.

And of the adults only Val the social worker, Parminder the doctor and just possibly Colin the teacher with OCD come out, despite severe personal challenges, as having any sympathetic treatment at all.

There is a problem with the sympathetic treatment, and of its more dominant opposite, contempt. Rowling's authorial presence dominates the narrative, imposing moral judgement, left and right. The narrative is manipulated like a children's story to deliver punishment to the wicked, and then to the innocent as well. Grimness is all. JKR is a moralist who has not yet wholly learned to reveal rather than instruct. At the same time, while most of us walk away from the pain of others- it challenges our own wellbeing and threatens to make demands - JKR walks towards it.

By the end of the book this reader did care, in particular about the children for whom JKR has a special insight, and for the poor, who are so completely p******d on by the comfortably off. There is a wellspring of compassion in this author that is welcome in the world of contemporary fiction. While JKR has joined the super-rich in terms of wealth, she has not joined them in terms of attitude. She does not have to write, unlike in her earlier days as a single parent living on benefits, and is brave to set out after Harry Potter to stake a new claim. I hope she does so again, as she has something to tell us.

Alan Tait
October 2012

Actually, bloody good. It doesn't MATTER what the author has written before, this is a great story with a great cast of characters from the truly horrible and repulsive to mildly distasteful to the quite likeable.
I loved reading about the connected events and lives in Pagford, the dark thoughts and gossip of the bored and bitchy residents, the way Barry's death sparked off the series of events that culminated in me finishing the book in floods of tears.
My quibble: would a 16-year-old use the word 'apologia'?!
Aside from that, a stonking good book, very readable. Poor reviews be damned!