This book is a very well-written and brilliantly argued engagement with an important and under-theorized topic. If you like literary theoretical work that challenges assumptions about childhood, desire, culture, and reading, you should check the book out. On the other hand, if you aren't into psychoanalytic work, this book will not be your cup of tea. In the book Rose discusses the way in which Peter Pan has become a cultural phenomenon unto itself, and argues that the obsession with innocence and eternal childhood reveals not something about children necessarily, but rather something about the investment adults have in childhood. Rose wants to interrogate children's fiction as a phenomenon produced by adults. She is very concerned about the specter of child abuse, and this book is her contribution to understanding this phenomenon and its proliferation better. This may be a difficult set of ideas for many to understand, since her argument flies in the face of deeply-cherished assumptions about childhood (many of which indeed play a part in the deep problems our culture has in ethical relations to children). But it is precisely this phenomenon of emotional and peremptory devotion to the idea of innocence that Rose argues gets in the way of a useful understanding of how child sexual abuse operates. This book also delves into the history of Peter Pan and children's fiction in general, which is fascinating.