But their world faces disaster. Impatient with human beings' endless disobedience and the cymeks' continual plotting to regain their power, Omnius has decided that it no longer needs them. Only victory can save the human race from extermination.
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Many familiar names appear; Salusa Secundus now green and fertile, but fated to become a hellhole prison planet, is one of the free human enclaves on the fringes of Omnius's "Synchronized Worlds". So is Giedi Prime, later the evil Harkonnen HQ. Both are attacked by fearsome robot fleets and ex-human cyborg killers when Omnius makes a new expansionist push. Much space-operatic mayhem follows.
Major characters include Serena Butler, who will become the driving force of the jihad against computer dictatorship; her lover Xavier Harkonnen, heroic defender of Salusa Secundus; Vorian Atreides, son of Omnius's chief cyborg Agamemnon, convinced by slanted histories that the Synchronized Worlds are the good guys; Erasmus, an independent robot who plays devil's advocate to Omnius and conducts unspeakably gory experiments to determine the wayward nature of humanity; and Selim, a desert exile on planet Arrakis (Dune), who becomes the first man to master the dread sandworms.
Many other firsts are rather improbably crowded together here. This is the first serious export of Dune's life-prolonging spice; the first (perhaps) spice-induced prophetic vision; first forcefield body shield; and the first antigravity "suspensors" that are invented by a girl genius who may be the first Mentat--those super-gifted humans who will replace prohibited computers. She's also busy inventing the first interstellar jump-drive. Elsewhere, telepathic "Sorceresses" prefigure the Reverend Mothers of the Bene Gesserit.
Despite a few nuances like the "good" society being flawed by its toleration of slavery, The Butlerian Jihad lacks the richness of Frank Herbert's work--his psychological intensity, the multi-layered subtlety of his characters' schemes and duel-like conversations. Instead, this is straightforwardly rousing space opera, with battle, counterstrikes, kidnapping, vows of vengeance, a fateful love triangle, and lashings of gratuitous violence and dismemberment. --David Langford --This text refers to an out of print or unavailable edition of this title.
The book is a quick read (though I was not as quick as the previous reviewer, reading 606 pages in three hours, is a fast 200 page average :)) - it's enjoyable all through... But that's it. Don't expect anything deeper than just enjoyable well-written english...
Hope this helps!
First of all, I did enjoy the book. I've read the other prequels (House...) which I didn't think were written very well (but they were still worth reading). Fortunately, I think the authors' style has improved.
As much as I enjoyed reading this book, my big problem was that it failed to deliver almost all of what it promised on its back cover. I was getting very worried that so much had to be wrapped up in the last few pages and, when I finally finished it, I felt that there was so much missing.
I took a quick look on Amazon to see what others thought and, to my delight, found that there are 2 more books that follow this novel (where apparently the story continues and hopefully everything gets wrapped up nicely). I really think the authors should have mentioned that this book was part 1 of 3 and restricted the précis on the back to what was actually contained in the book.
This isn't really a stand-alone book. It isn't even the first book of a trilogy. It's the first third of an 1800+ page epic.
Chris.
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