The Business [Paperback]

After the shock impact of the excellent The Wasp Factory in 1984, Iain Banks' work has split along two lines. On the one hand, he has written a series of acclaimed science fiction novels (with a devoted following, their own fan magazine and inclusion of his middle initial); on the other hand, a number of diverse, and eclectic, forays into contemporary fiction (for example, the successful television adaptation of The Crow Road).

The Business is the 1990s success story run riot. The eponymous organisation is ancient, rich and invisible. All it lacks is a certain political clout, something the Business has avoided for centuries but with which it is now beginning to toy. A seat in the UN is at stake as Kate Telman, Level 3 executive, is drawn into the (rather polite) machinations of her superiors. Those expecting John Grisham may be disappointed. No bad thing, perhaps: Kate's personal-professional life-- there is, of course, no conflict here for the successful individual of the 1990s--is the main concern. Banks' interest is in the moral debates about the position of the Business in a world it finds easy to manipulate, drawing the reader into a discussion of the place of the multi-national in contemporary economic and cultural life. "A lot of successful people are less hard-hearted than they like to think": is one view put forward, and not the only romantic but equivocal sentiment hiding somewhere in The Business. --John Shire

'.Satisfyingly readable to the end' - Maxim 'The Business is his tenth novel. and reveals no slackening in his imaginative energies' - Mail on Sunday 'Imagination, wit and complexity are his hallmarks and The Business is no exception' - Sunday Express 'The Business is the business' - Independent

'The Business is his tenth novel... and reveals no slackening in his imaginative energies'

'Imagination, wit and complexity are his hallmarks and The Business is no exception'

'For once...the promotional slogan rings true. The Business is the business'

Kate Telman is a senior executive officer in The Business, a powerful and massively discreet transglobal organisation. Financially transparent, internally democratic and disavowing conventional familial inheritance, the character of The Business seems, even to Kate, to be vague to the point of invisibility. It possesses, allegedly, a book of Leonardo cartoons, several sets of Crown Jewels and wants to buy its own State in order to acquire a seat at the United Nations. Kate's job is to keep abreast of current technological developments and her global reach encompasses Silicon Valley, a ranch in Nebraska, the firm's secretive Swiss headquarters, and a remote Himalayan principality. In the course of her journey Kate must peel away layers of emotional insulation and the assumptions of a lifetime. She must learn to keep her world at arm's length. To take control, she has to do The Business.

Iain Banks came to widespread and controversial notice with the publication of THE WASP FACTORY, in 1984, and has since gained enormous popular and critical acclaim. In 1993 he was acknowledged as one of the Best of Young British Writers.