A curiously supplanted sample of The Zombies' 1968 single
'Time Of The Season' kicks opening track 'Give It To Me Right'
from Melanie (Nee Hall) Fiona's debut album 'The Bridge' into play.
It is an oddly misguided idea.
Ms Fiona/Hall has a distinctive voice. Strong, flexible and
able to carry a melody purposefully.
Like Jennifer Hudson before her it is very likely that
she is destined for the big-time but (as with Ms Hudson)
there are some substantial problems with her debut release.
There are a handful of standout tracks in this collection
of thirteen songs but it is a patchy offering as a whole,
largely due to the number of producers involved (I counted a dozen!)
Too many cooks sometimes do, indeed, spoil the broth.
The album lacks coherence, identity and direction.
It is not quite sure what it wants to be.
The sound of the sixties is present and correct : 'Bang Bang',
'Monday Morning', 'Johnny' and 'Please Don't Go (Cry Baby)';
a pinch of reggae here : 'Sad Songs'; a spoonful of R&B there :
'Ay Yo', 'Walk On By' and 'G.A.M.'.
This potentially great singer and those who rule her need to
stop and have a good think about the next step in her career.
Sharper focus and a little less stylistic diversity might well
guarantee her a place in the pantheon of fierce and enduring
big-haired, big-voiced soul divas.
(Listen elsewhere to the Paul Emmanuel remix of 'Give It
To Me Right' if you need further proof of her worth).
I believe better things will come.