Ha Jin's hilarious scenes paint mainland China in serious upheaval, its battles with its political (the Cultural Revolution) and social (arranged marriages) past, its bureaucratic present and its capitalist and freer (on a personal level) future.
In 'The Woman from New York', the influence of the parents (-in-law) in divorce matters and of the party bureaucrats for job assignments is still insurmountable.
In 'An Entrepreneur's Story', an ambitious mother shouts that 'she rather throws her daughter into a sewer than let her marry me.' Another one 'called him 'hooligan' when he was a butcher', but when he became rich ... The story also shows the power shift from party bureaucracy to money.
In 'Saboteur', those who monopolize political power can still impose their gratuitous arrogance.
In 'A bad Joke', the political leaders are still untouchable.
In 'Flame', a lucky girl is one who married 'an officer with infinite access to food supply', but the marriage is unhappy because arranged.
In 'Alive', the struggle for good housing and the importance of job assignments play a crucial and bitter role in family relations.
In 'A Tiger-fighter is hard to find', the competition between provinces for the favors of Beijing is hilarious.
In 'An official Reply', a party member uses his privileged position to obtain sexual favors and tickets for foreign trips.
'Broken' shows the prude Party's obsession with 'illegal sex'.
In 'The Bridegroom', the longtime suppressed and oppressed gay scene comes to the surface.
'After Cowboy Chicken came to Town' shows the Americanization of China at work: hire and fire, huge salary differences and a hypocritical 'client first' policy.
Another constant is the sometimes substandard product quality (condoms and food - 'In the Kindergarten').
These short stories are all brilliantly shining pearls of human psychology, telling, ultimately, still survival struggles.
Not to be missed.