- Paperback: 512 pages
- Publisher: Oxford Paperbacks; New edition edition (2 April 1998)
- Language English
- ISBN-10: 0192834428
- ISBN-13: 978-0192834423
- Product Dimensions: 19.4 x 12.8 x 2.6 cm
- Average Customer Review: 4.0 out of 5 stars See all reviews (4 customer reviews)
- Amazon Bestsellers Rank: 921,511 in Books (See Top 100 in Books)
The Bostonians: A Novel (Penguin Classics)
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Review
It is about idealism in a democracy that is still recovering from a civil war bitterly fought for social ideals [written] with a ferocious, precise, detailed and wildly comic realism --A. S. Byatt writes in her Introduction
As devastating in its wit as it is sharp in its social critique of sexual politics. No writer in America had dared the subject before. No one has done it so well since --The New Republic --This text refers to an alternate Paperback edition.
As devastating in its wit as it is sharp in its social critique of sexual politics. No writer in America had dared the subject before. No one has done it so well since --The New Republic --This text refers to an alternate Paperback edition.
Product Description
The plot of this novel revolves around the feminist movement in Boston in the 1870s. F.R. Leavis called it one of "the two most brilliant novels in the language. "The novel's many allusions to the historical and social background of Boston society are explained in the editorial material.
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First Sentence
'OLIVE will come down in about ten minutes; she told me to tell you that. Read the first page
Front Cover | Copyright | Table of Contents | Excerpt | Back Cover
'OLIVE will come down in about ten minutes; she told me to tell you that. Read the first page
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Front Cover | Copyright | Table of Contents | Excerpt | Back Cover
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Most Helpful Customer Reviews
10 of 11 people found the following review helpful
Format:Paperback
If the narrative of this novel confined itself to simply reporting external events, it would probably be no more than 50 pages long, rather than the 400+ pages it actually is. Not that this would be as good thing. The self-conscious, ambiguous narration is enough to make literature students (such as myself) jump for joy. The narrator explicitly acknowledges his own presence, and the limits of his knowledge, and immerses the reader in a hall of mirrors, where he dips in and out of characters' consciousnesses, and sometimes reports what characters think that other characters are thinking! The plot revolves around Boston and New York societies, and the spate of reformist groups in the wake of the Civil War - particularly those championing the rights of women. James subtly probes the finer points of the motives of individuals for engaging in or opposing such movements, and succeeds in creating psychologically real characters. The novel is weighty, not something one can dip in and out of, but close reading is extremely rewarding.
2 of 2 people found the following review helpful
Format:Paperback
Firstly I should warn anyone reading this Penguin edition, the print is a bit on the small side and may not be easily read by some people, also if you have never read any Henry James before, this isn't the best book to start with.
This tale came out in 1886 in novel form, after first being serialized. The year saw two James novels come out in print, this one and The Princess Casamassima (Classics), neither of them received very flattering reviews and both of them are now referred to as his 'political novels'. This book has always been more popular on this side of the Atlantic whilst the other one has always been more popular in the US. I won't go into details why this is so but looking at the US site for Amazon I see that this book has obviously gained in popularity.
The story itself is very simple, but of course with most of James' tales it is drawn out. Olive Chancellor feels it her duty to invite her cousin, Basil Ransom to visit her in Boston. Going to one of her radical meetings they both come across Verena Tarrant. Basil disapporves of her views and opinions, after all this is a feminist meeting and he has old world values. Olive on the other hand has the same views as Verena. So more or less starts a fight for Verena's heart and soul by these two cousins.
Why this novel has gained much deeper appreciation in later years is because people are more and more realising that Olive is undoubtedly a lesbian. That you can read this between the lines isn't difficult, but that James is even more open in the text is surprising. You read quite early on that when Olive tries to get close to working class girls they shun her, and as Verena is to all intents and purposes naieve and innocent would account for her not running. It is never made clear whether a definite lesbian relationship is experienced between the young women, but a close reading would seem to suggest that there probably is. But will Olive be able to hold onto Verena, especially after Basil formerly makes his proposal?
You have to wonder whether James went through his life after writing this, chuckling away to himself that he hadn't caused a furore at the time. Richard Lansdown gives a very good introduction here explaining why this is James' most humurous novel, as well as there being two appendices, both extracts, one from de Tocqueville, and the other from James, as well as copious notes.
This tale came out in 1886 in novel form, after first being serialized. The year saw two James novels come out in print, this one and The Princess Casamassima (Classics), neither of them received very flattering reviews and both of them are now referred to as his 'political novels'. This book has always been more popular on this side of the Atlantic whilst the other one has always been more popular in the US. I won't go into details why this is so but looking at the US site for Amazon I see that this book has obviously gained in popularity.
The story itself is very simple, but of course with most of James' tales it is drawn out. Olive Chancellor feels it her duty to invite her cousin, Basil Ransom to visit her in Boston. Going to one of her radical meetings they both come across Verena Tarrant. Basil disapporves of her views and opinions, after all this is a feminist meeting and he has old world values. Olive on the other hand has the same views as Verena. So more or less starts a fight for Verena's heart and soul by these two cousins.
Why this novel has gained much deeper appreciation in later years is because people are more and more realising that Olive is undoubtedly a lesbian. That you can read this between the lines isn't difficult, but that James is even more open in the text is surprising. You read quite early on that when Olive tries to get close to working class girls they shun her, and as Verena is to all intents and purposes naieve and innocent would account for her not running. It is never made clear whether a definite lesbian relationship is experienced between the young women, but a close reading would seem to suggest that there probably is. But will Olive be able to hold onto Verena, especially after Basil formerly makes his proposal?
You have to wonder whether James went through his life after writing this, chuckling away to himself that he hadn't caused a furore at the time. Richard Lansdown gives a very good introduction here explaining why this is James' most humurous novel, as well as there being two appendices, both extracts, one from de Tocqueville, and the other from James, as well as copious notes.
1 of 1 people found the following review helpful
Format:Paperback
As a lover of classics I thought I'd give a Henry James book a go, and as a feminist I thought this would be a good place to start. The book is quite amusing, but the political content is rather weak. The characters are good in that they are well developed but I can't say I was particularly fond of them by the end of the book, which I personally think is quite important. The main strength of the book, apart from the humour, is the descriptions of American society and manners at the time the book is set. This was quite enlightening.
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