Who doesn't like a good ghost story? - and the Borley Rectory story has it all, spectral nuns and headless coachmen included. Strangely, the authors of this book aren't in any way bothered by the Hammer House of Horror staples that seem to constitute much of this famous, alleged haunting, clichés that might give the neutral reader more than occasional reason to raise an eyebrow. Adams, Brazil and Underwood do not for a moment doubt that the occurrences that supposedly plagued `England's most haunted house' were real manifestations of the supernatural. Which is not surprising once one knows that Adams and Brazil run a website dedicated to Harry Price, the maverick ghost hunter who made Borley famous, and himself in the process. Of course given the scope of this Companion the authors cannot quite ignore more skeptical views of Price's methods, which include evidence of downright hoaxing, but the way in which they condescendingly downplay such information speaks volumes about the value of this book as an honest and thorough investigation of the case. That value I'd rate close to nill.
There is no getting around the fact that all this book (or indeed any other) has to offer in support of the haunting is anecdotal evidence, more often than not gathered (very) long after the fact. Adams and Brazil may lightly brush aside the critical 1956 Borley report of the Society for Psychical Research, but they offer nothing at all to counter the SPR's conclusion that no scientifically sound evidence whatsoever exists to support the theory of a haunting. That conclusion strikes me as right on the mark. As with all hauntings, it's all just people telling stories. The authors may stress time and again that the people telling these stories were `decent and well-respected' - but hey, that's what neighbours said about John Gacy before the police dug up his crawling space. Outward decency is not an antidote against self-suggestion, confused memories or delusion, not even, alas, against deliberate lying.
This book is a study in mythmaking and itself contributes to the perpetuation of that myth. It shows to what lengths people will go in defence of their paranormal beliefs, and at the same time shows how lax standards of research generally are among believers. Especially irksome are the often used, summary conclusions of the type `...that could not be explained from natural causes'. If you can't explain something, that doesn't mean you've found a ghost. More likely it simply means you lack information. Of course, this kind of conclusion becomes even more problematic if no details are given on how possible natural explanations were ruled out.
Another noticeable problem is the randomness with which evidence is either accepted or dismissed. E.g., the famous ghostly nun is reported by various witnesses as appearing either white, black, transparent or solid, all of which the authors find acceptable. They do however dismiss a sighting where the nun appeared to be about sixty years of age, because this observation was inconsistent with other sightings. So, some inconsistencies are OK, others are not, but it remains unclear who decides either way and on what grounds. (In fact, one suspects the authors don't want to see a sixty year old nun because the accepted lore is that Borley's nun is the ghost of French girl in her thirties).
The 'encyclopaedic' format of most of the book is as pretentious as it is confusing, and hardly constitutes an obvious way of getting the story across. The rationale behind the choice of lemma's is unclear, and looking up a particular item is not helped by the lack of an indication at the top of the page at what initial the reader has arrived. Sometimes there are cross-references that are void - e.g., in discussing the Rectory's "mysterious" bricked up window (supposedly closed up to shield the inhabitants from ghostly nuns staring in) the authors refer to the lemma about Miss Ethel Bull, which, however, contains not a single word about this architectural peculiarity. (Incidentally, one of the photographs in the book was taken in front of this window and shows quite clearly that there is nothing mysterious about it: the seamless brickwork makes it amply clear that it was never bricked up at all but was designed as a blind window right from the start).
The authors have missed a golden opportunity of putting all previous claims and arguments about Borley side by side and critically appraising all of them. Instead, they are content just to rehash the believers' views. Enjoy this book on a rainy autumn evening when you're in the mood to believe in ghosts, in a warm chair with a good glass of wine; or better still, enjoy it as a practical exercise in skepticism - you can spend many an interesting hour tracking all the contradictions, inconsistencies and prejudiced conclusions it abounds in. Then shake your head and return to the real world.