This little booklet, written in 1906, is still one of the absolute classics on the Japanese tea ceremony. This essay about Japanese culture as it is epitomized in the "way of tea" (chadō) also served as an apology for Eastern traditions at large to the Western world. Okakura was a practitioner, art critic and connoisseur, and a collaborator of Fenellosa and his circle, who introduced Japanese art in the United States. Although detailed technical information about the ceremony is avoided, the latter's historical background as well as its relation to Japanese attitudes, Zen, Tao, art and art appreciation are treated in a suggestive and essayistic vein. The way of tea appears as a "moral geometry" embodying particular values than a particular set of beliefs. There is, thus, a "philosophy of tea", at least in the sense that the practice of tea wholly constitutes a "form of life".
The book was written in a graceful, clear and precise English, which is in itself a remarkable feat.
Amateurs of the way of tea should combine this reading with more detailed studies such as Sadler's, Shositsu Sen's and Horst Hammitzsch's, or the academic and up to date study by Jennifer Anderson.