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THIS PART OF MY STORY BEGINS one evening early in January 1976 in Anchovy, Jamaica, a country village clinging to the hills of St. James Parish about twelve miles south and west of Montego Bay. Read the first page
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There are several trips back to the island after the narrator's life is completely transformed by his experiences during the first. His wife no longer accompanies him however as their marraige was one of the first casualities of his abrupt new fascination with Rastfarianism, Marroon culture, and ganja. You can imagine! But what starts out as an adventure full of promise, unfortunately follows an inevitable course ending in sorrow and not a little horror. Any attempt to blithely transcend differences of race and class are doomed, the author seems to be saying. And ganja will not of its own power make a story turn out all right, regardless of it's enormous capacity to create an internal state that seems to be mystically protected from all outward harm. In fact the opposite may be true. Ganja may release traits and fuel decisions that create a trend which rushes towards confrontation with dis-associated, unwanted self-aspects and a pressing need to re-assess one's relationship with the basics of self-preservation and the will to continue living.
This is a compelling, well-written novel that has the advantage of having marijuana as one of its central characters. The role marijuana plays in the story and in fueling the psychological development of the protaganist is handled skillfully and raises interesting questions about what effect heavy use may have on the trajectory of one's life. As a Jamaican travelogue, the book will spellbind as it is really a tour de force of gritty observational writing. Banks obviously harbours a deep love for Jamaica and a well-earned respect for the raw power of Jah Rastafari as expereinced through the taking of his sacremental offering; the holy herb ganja.
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