"The Bomb: A Life" is a highly readable history of nuclear weapons, from the Manhattan Project through the end of the Cold War and the threat of nuclear terrorism. I picked the book up on a whim and soon found that DeGroot's style kept me turning the pages.
DeGroot's book is a fairly high level overview of the development of the atomic bomb and its even more horrific successor, the hydrogen bomb. It also explores the challenges of integrating these earthshaking weapons into military and political doctrine, with a special emphasis on the formative period of the 1950s and early sixties.
But "The Bomb" is more than just a military or geopolitical history. Degroot gives equal time to domestic developments provoked by the Bomb, such as disarmament movements, the grim fate of "downwinders," and artifacts of bomb-driven cultural history like Bert the Turtle, "Dr. Stangelove," Doomtown, "The Day After," and the Doomsday Clock. In fact, one of the most interesting aspects of the book is its description of the interplay between nuclear weapons and society--how the bomb changed culture, and how culture responded by changing the bomb.
DeGroot is an equal opportunity critic, and he muses about both the excesses of nuclear warriors and the quixotic struggles of those who pressed for disarmament. In the end, he demurs--"a final verdict on the Bomb is impossible."
If you are looking for a readable overview of the development and cultural impact of nuclear weapons, "The Bomb: A Life" is a good and sobering place to start.