My general impression of these stories is of light, translucence, space and thoughtful reflection. The locations are various, as far afield as Africa. There is a pervasive lucidity and lightness of touch that never overdoes and never underdoes, always perfectly in tune and arriving at the end of each story with a feeling of the perfect last notes of classical concerto for solo oboe or flute. Nothing jars, there is no browbeating or crawthumping, all is bright and refreshing, even when travelling in a realm of sorrow. The overall effect can be summed up in the word classical, because it conveys not only landscape painting and detailed characters but also a poise, mastery and perfection of finish without overworking of detail. I thought I should share my impressions to balance the previous review somewhat.