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It's Ry Cooder meets Tom Waits meets a wandering band of mariachis in the desert, but the blend changes throughout the album: the dark guitar opens beautifully on "Gypsy's Curse" till the melody's taken on and up by the dreamy acordian; "Minas de Cobre" is pure mariachi brilliance, the chorusing trumpets blending with guitars and fabulous strings in music that should have been in a Sergio Leone film. The lyrics are dark and brooding - the chilling and desperate "Bloodflow", the empty waste of "The Ride (pt II)".
In fact the whole thing is cinematic in its evocativeness. Not to be missed.
KGB
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