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The Biographer's Tale is about how a would-be biographer goes in pursuit of his subject, and inadvertently finds himself along the way. A dry, nervous cipher at the outset, Phineas develops into a character as the tale progresses. He goes from loneliness to double love with a taxonomist and a radiologist. The earthy Fulla, "a Scandanavian nature-goddess" inducts him into the sensual exterior of life and the organic links that hold it together. Obsessed with bees and beetles, Fulla shows Phineas how human life is dependent upon a fragile ecosystem that philosophers of the self rarely pause to consider in their flights into the existential nature of being. Radiologist Vera who "photographs our invisible lives" reveals to Phineas the usually invisible world of the inner body, and enables him to venture to the interior of himself.
Entranced with two women, admiring and envious of the love between his peripatetic gay employers and terrified of one of their most important clients, Phineas finds that his biographical subject leads him into the words and worlds of Darwin, Galton, Linnaeus, Ibsen and Pearson. Byatt's theme is, typically, both labyrinthine in its complexity and crystalline in its simplicity. In its complexity, The Biographer's Tale is an investigation into contemporary intellectual currents and their relation to the philosophical and natural truths of nineteenth century thought. In its simplicity, it is a book about how we tell ourselves stories.
This is a novel that pokes fun at the solipsistic excesses of over-serious academe. It is nonetheless scholarly in its own construction, and readers should expect a challenging read. Byatt's particular achievement is to embody the positions of contemporary intellectual thought and make them into characters too. Empiricism becomes a phlegmatic, generally reliable but poseur-like armchair traveller whose failing is to elide cracks and conceal discontinuities in reality. Post-structuralism becomes a pugnacious sceptic querying the premise of selfhood with a weakness for revelling in ambivalence and the shiny surfaces of things--and delightfully annoying in its persistent questioning of the order of everything.
Truth, lies, love, history, self-knowledge--Byatt enables the reader to choose their route through Phineas's Bildungsroman. Pitching headlong into a very topical British cultural obsession with the nature of biography, The Biographer's Tale walks lightly the knotty tightrope between fact and fiction, and leaves the reader to decide on what is the difference between the two. As Phineas discovers, "There are very few human truths and infinite variations on them...Reading and writing extend--not infinitely, but violently, gut giddily--the variations we can perceive on the truths we discover." --Rachel Holmes --This text refers to an out of print or unavailable edition of this title.
Phineas goes to Pontefract to see where Scholes was brought up. A disappointing experience, since he really learns nothing about Scholes the man, and staring at his house all day just makes the woman who lives there think that he's a stalker. But then someone finally replies to Phineas's ad in the TLS, and he has a bit more luck tracking down correspondence between Scholes and his publisher. Three documents are brought to light, and a chest full of Scholes' things (including underwear and marbles), are opened for Phineas's inspection. The three documents are biographical accounts of Linnaeus, Sir Francis Galton, and Henrik Ibsen. Did Scholes's supposed death in the Maelstrom interrupt these projects? On his quest, Phineas meets two very beautiful, but very different women: Fulla, the Bee taxonomist, and Vera, the radiographer. Whilst working in Puck's Girdle, a literary travel agency, Phineas also meets a dragon in the form of Maurice Bossey...
I wasn't sure of The Biographer's Tale at first. I thought that it was a very good account of the life of the researcher, all those coincidences which seem to gather to compose an answer. All those jigsaw pieces which you and you alone can put together. The Biographer's Tale is such a learned piece that it is quite daunting. There are a huge variety of references to names and places which aren't crucial to the plot, they're just part of the vista. For me, this was difficult at first, since I like to look everything up. I had to adapt, to just investigate things that I really didn't know anything about, and to ignore those references that I recognised. In short, you do need a researcher's skill to get something from this novel, to know where to look. Scholes's card index system will be very familiar to most researchers. However, I think that you have to be engrossed by the actual subjects in order to put all the pieces together. Someone else's research is never as stimulating as your own. Having said that, Linnaeus, Galton, and Ibsen are very interesting subjects, so it's worthwhile doing some background reading. There were also aspects of the plot that I was unhappy with. From being almost an asexual man, Phineas has not one, but two lovely ladies thrust upon him - or maybe that's just my jealousy. There's also that dreadful scene where Phineas waves a penknife around in Puck's Girdle with hysterical abandon, although Fulla valiantly rescues him. Or maybe Phineas has been afflicted by 'The Feminization of Nature', that admirable treatise put forward by Deborah Cadbury.
A. S. Byatt's own research is impeccable. There really is a dearth of bee taxonomists in the world, as Fulla states, and the Stag Beetle is very much in danger of extinction. I delighted in reading up on the alkali bees and the pollination of Alfalfa. It's also great to read what abominable snowman lies behind Linnaeus's homo nocturnes idea, and it's true that the great taxonomist thought swallows spent their winter under sea. Galton really did push Nangoro's niece out of his tent in Ovampo, in the fear that she would ruin his white linen garments. The Ibsen fan who wrote 'Brand's Daughters' was Laura Petersen, and she may have been an inspiration for 'A Doll's House'. Phineas seems to think that Galton was not all that well known, but there is a great deal of information out there on the Father of Eugenics. A. S. Byatt seems to have captured the mood of the current times admirably: Galton thought the Australian Aborigines were the lowest form of human life, something which is echoed in the attitudes towards the Tasmanian Aborigines, in Matthew Kneale's admirable 'English Passengers'. Having said that, Galton did believe that Victorian gentlemen were two rungs below the Athenians (but, on the negative side, the Athenians owned slaves). Phineas is much at a loss as to how to compose the story of a man's life, since there are so many ways at looking at man, and at a man. Now the human genome has been mapped, and Galton's genetics is experimented upon in our fields. Fulla believes in the interdepence of life, Vera the radiographer can see cancer weave its web across a patient's body. The Strange Passenger in Ibsen's Peer Gynt asks Peer to donate his body to science; Galton puzzles over what is real and what is imaginary. Given his name, Phineas can't but help be an explorer as well, although not quite in the Jules Verne style of Phileas Fogg. I believe A. S. Byatt chose the rather silly name 'Phineas G. Nanson', because it's very close to 'Phaeogenes nanus', the mite that preys on the beetle that causes Dutch elm disease. Since I haven't found out anything about this small mite, I'm unsure of what relevance it is to Phineas's character. However, just as American hospitals are overwhelmed with people queuing up to have their bodies scanned in 3D, so Phineas finds out a great deal about a person other than Scholes Destry-Scholes.
After the third or fourth reading, and a bit of studying, The Biographer's Tale does emerge as a worthwhile endeavour.
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