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The Biographer's Tale [Paperback]

A S Byatt
2.7 out of 5 stars  See all reviews (7 customer reviews)
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Book Description

1 Jun 2001 009928393X 978-0099283935 New Ed
In this witty, Borges-like Novel, A. S. Byatt weaves a dazzling fiction out of one man's search for fact. Fed up with stultifying criticism, Phineas G. decides to study the messiness of 'real life'. Doing nothing by halves he sets out to write a biography of a great biographer. But a 'whole life' is hard to find. How do we put the idea of a person together? Everywhere he looks he finds fragments and gaps: disconnected typescripts, bones and husks, boxes of marbles, collections of photographs. Trails run cold and mysteries are unresolved.Phineas feels he is hunting shadows. Like a shaman flying across the globe, his mind tracks the journeys of his subjects to the deserts of Africa and the maelstroms of the Arctic, where the shapes of myth meet the patterns of science. He meets others building wholes from bits and pieces: taxonomists, ecologists, even travel agents offering the trip of your dreams. In the process he also puzzles out his own future - but which woman will guide him out of the labyrinth? Tantalising, comic and rueful, The Biographer's Tale is a modern delight, a colour-filled novel of detection and desire. (20000914)

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Product details

  • Paperback: 272 pages
  • Publisher: Vintage; New Ed edition (1 Jun 2001)
  • Language: English
  • ISBN-10: 009928393X
  • ISBN-13: 978-0099283935
  • Product Dimensions: 12.9 x 1.8 x 19.8 cm
  • Average Customer Review: 2.7 out of 5 stars  See all reviews (7 customer reviews)
  • Amazon Bestsellers Rank: 225,907 in Books (See Top 100 in Books)

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Amazon Review

The world of erstwhile post-structuralist literary critic Phineas G Nanson turns upside down when he abandons the abstractions of theory and embarks upon a factual voyage into the realms of biographical empiricism. Dryly inspired by one of his tutors, the indigent and orotund Ormerod Goode, Phineas starts writing a biography of Scholes Destry Scholes--a biographer. Hooked by Scholes's scholarly multi-volumed biography of Victorian polymath Sir Elmer Bole, Phineas enters the mysterious world of the biographical form, "a despised art because it is an art of things, of facts, of arranged facts". Phineas discovers that facts, when piecing together the story of a life, are not only elusive and inconclusive, but liable to turn out to be fiction.

The Biographer's Tale is about how a would-be biographer goes in pursuit of his subject, and inadvertently finds himself along the way. A dry, nervous cipher at the outset, Phineas develops into a character as the tale progresses. He goes from loneliness to double love with a taxonomist and a radiologist. The earthy Fulla, "a Scandanavian nature-goddess" inducts him into the sensual exterior of life and the organic links that hold it together. Obsessed with bees and beetles, Fulla shows Phineas how human life is dependent upon a fragile ecosystem that philosophers of the self rarely pause to consider in their flights into the existential nature of being. Radiologist Vera who "photographs our invisible lives" reveals to Phineas the usually invisible world of the inner body, and enables him to venture to the interior of himself.

Entranced with two women, admiring and envious of the love between his peripatetic gay employers and terrified of one of their most important clients, Phineas finds that his biographical subject leads him into the words and worlds of Darwin, Galton, Linnaeus, Ibsen and Pearson. Byatt's theme is, typically, both labyrinthine in its complexity and crystalline in its simplicity. In its complexity, The Biographer's Tale is an investigation into contemporary intellectual currents and their relation to the philosophical and natural truths of nineteenth century thought. In its simplicity, it is a book about how we tell ourselves stories.

This is a novel that pokes fun at the solipsistic excesses of over-serious academe. It is nonetheless scholarly in its own construction, and readers should expect a challenging read. Byatt's particular achievement is to embody the positions of contemporary intellectual thought and make them into characters too. Empiricism becomes a phlegmatic, generally reliable but poseur-like armchair traveller whose failing is to elide cracks and conceal discontinuities in reality. Post-structuralism becomes a pugnacious sceptic querying the premise of selfhood with a weakness for revelling in ambivalence and the shiny surfaces of things--and delightfully annoying in its persistent questioning of the order of everything.

Truth, lies, love, history, self-knowledge--Byatt enables the reader to choose their route through Phineas's Bildungsroman. Pitching headlong into a very topical British cultural obsession with the nature of biography, The Biographer's Tale walks lightly the knotty tightrope between fact and fiction, and leaves the reader to decide on what is the difference between the two. As Phineas discovers, "There are very few human truths and infinite variations on them...Reading and writing extend--not infinitely, but violently, gut giddily--the variations we can perceive on the truths we discover." --Rachel Holmes --This text refers to an out of print or unavailable edition of this title.

Review

"This novel takes the reader somewhere rare and high" (Financial Times 20020614)

"A voluptuous tale" (Sunday Times 20020614)

"Awesome" (Daily Mail 20020614)

"The relation of language to things, the arrangement of those things in the world, and exposure of the tricks of literary composition are not just occasional intruders in this novel, they are its very subject" (Times Literary Review )

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Customer Reviews

Most Helpful Customer Reviews
7 of 7 people found the following review helpful
4.0 out of 5 stars Destry Rides Again 17 Feb 2001
By A Customer
Format:Hardcover
Phineas G. Nanson is fed up with studying theory - he wants to do something more concrete. One of his tutors introduces him to the biography of Sir Elmer Bole by Scholes Destry-Scholes - little known, but a masterpiece of its field. So enthused is Phineas by Scholes's passion, and by his obscure life and death, that he decides to embark on a biography of his own. Scholes Destry-Scholes is to be his subject.

Phineas goes to Pontefract to see where Scholes was brought up. A disappointing experience, since he really learns nothing about Scholes the man, and staring at his house all day just makes the woman who lives there think that he's a stalker. But then someone finally replies to Phineas's ad in the TLS, and he has a bit more luck tracking down correspondence between Scholes and his publisher. Three documents are brought to light, and a chest full of Scholes' things (including underwear and marbles), are opened for Phineas's inspection. The three documents are biographical accounts of Linnaeus, Sir Francis Galton, and Henrik Ibsen. Did Scholes's supposed death in the Maelstrom interrupt these projects? On his quest, Phineas meets two very beautiful, but very different women: Fulla, the Bee taxonomist, and Vera, the radiographer. Whilst working in Puck's Girdle, a literary travel agency, Phineas also meets a dragon in the form of Maurice Bossey...

I wasn't sure of The Biographer's Tale at first. I thought that it was a very good account of the life of the researcher, all those coincidences which seem to gather to compose an answer. All those jigsaw pieces which you and you alone can put together. The Biographer's Tale is such a learned piece that it is quite daunting. There are a huge variety of references to names and places which aren't crucial to the plot, they're just part of the vista. For me, this was difficult at first, since I like to look everything up. I had to adapt, to just investigate things that I really didn't know anything about, and to ignore those references that I recognised. In short, you do need a researcher's skill to get something from this novel, to know where to look. Scholes's card index system will be very familiar to most researchers. However, I think that you have to be engrossed by the actual subjects in order to put all the pieces together. Someone else's research is never as stimulating as your own. Having said that, Linnaeus, Galton, and Ibsen are very interesting subjects, so it's worthwhile doing some background reading. There were also aspects of the plot that I was unhappy with. From being almost an asexual man, Phineas has not one, but two lovely ladies thrust upon him - or maybe that's just my jealousy. There's also that dreadful scene where Phineas waves a penknife around in Puck's Girdle with hysterical abandon, although Fulla valiantly rescues him. Or maybe Phineas has been afflicted by 'The Feminization of Nature', that admirable treatise put forward by Deborah Cadbury.

A. S. Byatt's own research is impeccable. There really is a dearth of bee taxonomists in the world, as Fulla states, and the Stag Beetle is very much in danger of extinction. I delighted in reading up on the alkali bees and the pollination of Alfalfa. It's also great to read what abominable snowman lies behind Linnaeus's homo nocturnes idea, and it's true that the great taxonomist thought swallows spent their winter under sea. Galton really did push Nangoro's niece out of his tent in Ovampo, in the fear that she would ruin his white linen garments. The Ibsen fan who wrote 'Brand's Daughters' was Laura Petersen, and she may have been an inspiration for 'A Doll's House'. Phineas seems to think that Galton was not all that well known, but there is a great deal of information out there on the Father of Eugenics. A. S. Byatt seems to have captured the mood of the current times admirably: Galton thought the Australian Aborigines were the lowest form of human life, something which is echoed in the attitudes towards the Tasmanian Aborigines, in Matthew Kneale's admirable 'English Passengers'. Having said that, Galton did believe that Victorian gentlemen were two rungs below the Athenians (but, on the negative side, the Athenians owned slaves). Phineas is much at a loss as to how to compose the story of a man's life, since there are so many ways at looking at man, and at a man. Now the human genome has been mapped, and Galton's genetics is experimented upon in our fields. Fulla believes in the interdepence of life, Vera the radiographer can see cancer weave its web across a patient's body. The Strange Passenger in Ibsen's Peer Gynt asks Peer to donate his body to science; Galton puzzles over what is real and what is imaginary. Given his name, Phineas can't but help be an explorer as well, although not quite in the Jules Verne style of Phileas Fogg. I believe A. S. Byatt chose the rather silly name 'Phineas G. Nanson', because it's very close to 'Phaeogenes nanus', the mite that preys on the beetle that causes Dutch elm disease. Since I haven't found out anything about this small mite, I'm unsure of what relevance it is to Phineas's character. However, just as American hospitals are overwhelmed with people queuing up to have their bodies scanned in 3D, so Phineas finds out a great deal about a person other than Scholes Destry-Scholes.

After the third or fourth reading, and a bit of studying, The Biographer's Tale does emerge as a worthwhile endeavour.

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4 of 4 people found the following review helpful
4.0 out of 5 stars A challenge, but worth the effort. 17 July 2000
Format:Hardcover
Byatt herself calls this, " A patchwork, echoing book" and like a patchwork, it is easy to sometimes lose the pattern, but I found that it was worth reading to the end, even though the protagonist (the biographer of the title) was a little irritating at times. The two female characters (Vera, blue-grey night person, and Fulla, golden ,electric day person ) are detailed and convincing, as are the two gay colleagues. There were times when I was impatient reading the index cards which are an essential and authentic part of the story as I wanted to get back to the action part of the plot. These could, in all fairness, be skimmed over at a first reading. If you enjoyed "Possession" then you will find parallels in "The Biographer's Tale," and certain cameos that share similarities. "Possession" is ultimately more satisfying as it has a stronger story-line and a more likeable male character, but both books show how astonishingly erudite Byatt is, and how patient in putting together all the clues without giving away a premature solution. This is not an easy read, but it did intrigue me and it seems to hold out the promise of "Read me again and you'll find even more than you did before."
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7 of 8 people found the following review helpful
2.0 out of 5 stars Very disappointing 25 July 2002
By A Customer
Format:Paperback
Perhaps I am not the target readership for this book, but I have enjoyed A S Byatt's work and was delighted to spot what was, to me, a new one. It claims to be about a man discovering himself while trying to discover about someone else. I found it to be a lot of lengthy, often turgid, text with literary and other references which swamped any other aspect of the book. I did finish the book, but boy was it a struggle!
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