There are always irreverent arguments about the status of filmmaking in David Thomson's writing: "Story ideas hang around in Hollywood longer than some marriages or buildings." Or "It would be said of British cinema that it was nothing until a band of Hungarians took it over." This goes alongside his real passion for the art: On Sweet Smell of Success - "The film was shot in a glittering harsh black and white by James Wong Howe and looked like the hide of a crocodile in the moonlight." On Colonel Blimp - "There is one scene of Deborah Kerr with auburn hair and in a cornflower blue dress, in shadow and firelight, that must be among the most romantic shots made during the war. No one in Britain before had seen that you could make a film because you were crazy about a girl."
David Thomson is, I think, the best writer on film in our time. If Have you Seen? was his most succinct and entertaining book, The Big Screen is a large and vivacious map on the history of 'the screen': beginning with Muybridge and then tracing careers ranging from Korda to Renoir to Hawkes to Mizoguchi, to David Lynch and Tarentino, then swerving over to television shows such as I love Lucy and The Sopranos. He has found and created a marvellous plot for the history of film with insights and revelations on every page, as well as a few mcguffins. He is our most argumentative and trustworthy historian of the screen
(Michael Ondaatje )
Thomson has composed a grand aesthetic, spiritual, and moral account of cinema history assembled around the movies and artists that have meant the most to him. As Thomson reconstructs film history, movies bring us close to reality and deliver us into ecstatic dreams. A pungently written, brilliant book (David Denby (Author Of Snark) )
Fascinating ... a loose-limbed, conversational narrative, moving fitfully through time, dawdling over directors and films that interest ... crackling with ideas and vivid impressionisms ... Thomson's stylish prose, simultaneously erudite and entertaining, captivates as it informs ... Buffs and casual fans alike will enjoy this extra-large serving of popcorn for thought (Publishers Weekly
A great critic cuts both ways-he nudges you into reconsidering the films you love, as well as the ones you dislike. David Thomson's sensual prose has always amplified the imagination of a great critic. In broad outline, The Big Screen
is a history of the movies, a wide-ranging task which usually carries with it a certain amount of connect-the-dots tedium. But Thomson's emphases are typically fresh and often ecstatic, even when he's disparaging a film you love. Nobody does it better (Scott Eyman (Author Of Empire Of Dreams And Lion Of Hollywood) )
Subtle, erudite and entertaining (Economist
About the Author
David Thomson has a fair claim to be the greatest living writer on film. His major works include The New Biographical Dictionary of Film
, now in its 5th edition, and 'Have You Seen...?: A Personal Introduction to 1,000 Films including Masterpieces, Oddities, Guilty Pleasures and Classics (with Just a Few Disasters)
. Thomson was born in London, and now lives in San Francisco.