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The Big Music [Hardcover]

Kirsty Gunn
4.4 out of 5 stars  See all reviews (8 customer reviews)
RRP: £20.00
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Book Description

5 July 2012

'The hills only come back the same: I don't mind . . .' begins Kirsty Gunn's The Big Music, a novel that takes us to a new understanding of how fiction can affect us.

Presented as a collection of found papers, appendices and notes, The Big Music tells the story of John Sutherland of 'The Grey House', who is dying and creating in the last days of his life a musical composition that will define it. Yet he has little idea of how his tune will echo or play out into the world - and as the book moves inevitably through its themes of death and birth, change and stasis, the sound of his solitary story comes to merge and connect with those around him.

In this work of fiction, Kirsty Gunn has created something as real as music or as a dream. Not so much a novel as a place the reader comes to inhabit and to know, The Big Music is a literary work of undeniable originality and power.


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Product details

  • Hardcover: 496 pages
  • Publisher: Faber and Faber (5 July 2012)
  • Language: English
  • ISBN-10: 0571282334
  • ISBN-13: 978-0571282333
  • Product Dimensions: 16.1 x 4.1 x 24 cm
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (8 customer reviews)
  • Amazon Bestsellers Rank: 31,092 in Books (See Top 100 in Books)

Product Description

Review

'A masterpiece ... I cannot think of a more entirely original, enchanting and enchanted book.' --Michael Bywater, INDEPENDENT

'One of the finest novels of the past decade.' --Gabriel Josipovici, TIMES LITERARY SUPPLEMENT Books of the Year

'Remarkable ... demands that readers put themselves into the same headspace as they would before embarking on a novel by, say, William Faulkner, James Joyce or Woolf. As with those modernists, there is also a story here, a moving one, involving emotionally distant fathers and self-exiled sons ... Gunn is to be applauded for her ambition.' --Susan Elderkin, FINANCIAL TIMES

'The attentive voice of Gunn's graceful prose [places] the reader inside the space of the music. It is a remarkable book.' --Kathryn Sutherland, TLS Books of the Year

'The Big Music matches the structure of its story to the virtuoso improvisations of the Highland piper's art, but the pulsing bass here remains a moving story of fathers, children and a culture in peril.' ----Boyd Tonkin, INDEPENDENT, Books of the Year

'The Big Music is both challenging and conventional, a 'novel' which will satisfy those who love poetry and narrative prose alike; it is often lyrical, sometimes flinty, soft as a bog, or as potently smouldering as a peat fire, smoking, secretive, intriguing ... It is rare to read anything so riveting ... it captivates and illuminates.' --Tom Adair, SCOTLAND ON SUNDAY

'The Big Music matches the structure of its story to the virtuoso improvisations of the Highland piper's art, but the pulsing bass here remains a moving story of fathers, children and a culture in peril.' ----Boyd Tonkin, INDEPENDENT, Books of the Year

'The Big Music is both challenging and conventional, a 'novel' which will satisfy those who love poetry and narrative prose alike; it is often lyrical, sometimes flinty, soft as a bog, or as potently smouldering as a peat fire, smoking, secretive, intriguing ... It is rare to read anything so riveting ... it captivates and illuminates.' --Tom Adair, SCOTLAND ON SUNDAY

Book Description

Shortlisted for the James Tait Black Prize, this is a story about family, love and the power of the imagination.

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Customer Reviews

4.4 out of 5 stars
4.4 out of 5 stars
Most Helpful Customer Reviews
1 of 1 people found the following review helpful
5.0 out of 5 stars A remarkable achievement............... 25 Feb 2013
Format:Hardcover|Amazon Verified Purchase
This novel, for my money, represents a remarkable achievement. It sets out to explore the stories of a small group of emotionally linked characters, their home 'The Grey House' - in the past a summer school for bagpipe music - and the landscape in which the house is situated: the remote region of Sutherland in Scotland. Kirsty Gunn also wants to replicate in words the way music can suggest qualities of feeling and location that might live beyond words or just out of sight in the landscape but which unify characters and place. The narrative structure and the prose style replicate the structure and sound of the `classical compositional form of the Highland bagpipe', the piobaireachd or pibroch, to achieve this: `the music that sits behind the words' (p.310). I didn't find the novel the least bit academic or arid and the footnotes and appendices draw you deeper into the novel's musical and emotional structure and into the history of the house and its occupants, giving the characters ballast and the location vividness. The novel is beautifully written, reading at times like prose poetry, yet is not difficult to read. The characters have depth, are convincing, and the elegiac final 'movement' of quiet loves and love revealed in music carries a considerable, cumulative, emotional punch. If it didn't sound off-putting I'd call it a modernist masterpiece. I'll stick with a remarkable achievement because this is a novel which is compelling, deeply affecting and fully realised in its multi-layered richness.
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3.0 out of 5 stars The Big Music 19 Jun 2013
Format:Kindle Edition
This book explores the tensions that exist within a family group, while providing the reader with some insights into the nature of piobaireachd. However, it is far too long and repetitive (we get it, Kirsty), and I found the author's style irritating at times. It is a pity that a CD was not included in the project, as we would then have had something closer to a"Gesamtkunstwerk" (this word is misprinted in the glossary, incidentally). I didn't really warm to any of the characters, who seemed to me to lack depth, and I didn't think that the author's attempt to show how their fortunes are reflected in the structure of piobaireachd really comes off.
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3.0 out of 5 stars No harmony 31 Jan 2013
Format:Hardcover|Amazon Verified Purchase
I wanted to like this book as I live in Edinburgh and have a fondness for the Piobaireachd and Scottish culture generally but this was a very trying read from the start. Someone else has pointed out the endless, tedious footnotes and they really were like wee interruptions and on nearly every page too. Just when you finally got into parts of the actual storyline, you'd get sidetracked by the wretched things. It was like reading an academic paper not a novel.

As for the story itself, I felt it lacked any real depth or compassion. The writing wasn't powerful or evocative in any sense for me. The characters didn't feel fully formed and it all felt rather distant. This is not an example of sublime storytelling, it's the kind of novel written by an academic. Very cerebral and no doubt well-researched/documented but no depth, compassion or harmony.
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By rogerw
Format:Hardcover
Works of fiction have their own particular textures (just as people do) - and are expressions of human existence. This innovative work affects an explicit structure in which footnotes abound, and the main narrative text of some 376pp is followed by c68pp of appendices. Dissenters will no doubt find an irritation in this, but I'm currently at p133 of the story and am enthralled, immersed - its texture is like a wreathing of airs.

Kirsty Gunn talks a bit about it on youtube if you search - there's also a short film that draws from the book and could be read as a promo but is a short artwork in its own right.
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2 of 3 people found the following review helpful
4.0 out of 5 stars Buy the cd 12 Sep 2012
Format:Hardcover
It's hard to like prose that strains to be music, particularly a single piece of music you'd much rather hear than read about.
Music aside, this is a very well written, perhaps rather sentimental, family story. It didn't really carry me along with it.
Most infuriating are the endlessly repetitive footnotes (Look, we know music is circular, but this isn't music.)
But I think a different reader might really like Big Music, hence the four stars.
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3 of 6 people found the following review helpful
5.0 out of 5 stars Books like this don't come along every day 30 Oct 2012
Format:Hardcover
In the interests of full disclosure, I have to tell you that I copy edited this book. That means I worked on it as a freelancer, but I don't get any ongoing income from its sales. I'm writing this simply to spread the word about an unusually brilliant novel.
It's the story of several generations of Highland bagpipe players, men who have the blank spaces of sky and land in their DNA. They are, outwardly, emotionally blank too, but their tradition as players/composers of 'the big music' acts as a conduit for the expression of love and connection instead.
The 'big music' is the name given to the most creative and beautiful style of bagpipe-playing. It has rules of structure but only in the sense that jazz music uses scales from which players can take off and express something unique.
Music suffuses the style and structure of the book. The reviewer who said the footnotes were too repetitive has, with respect, both hit the nail on the head AND missed the point. The book does indeed try to follow the form of the bagpipe music itself, which means that, just as music repeats certain phrases and motifs, so they are repeated in the text. It's an experiment, and not everyone will love it, but that's one of the things that makes this such an interesting read.
A contemporary novel that does something genuinely new with the form, and touches the heart. Like another reviewer, I also finished my first reading of this book in floods of tears. It is beautifully written. The cadence of speech and inner lives is set out with such deftness and softness. It's absorbing and rewarding, a perfect atmosphere to lose yourself in on a winter evening. I really can't praise it enough.
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