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The Big House [Paperback]

Helena McEwen
3.2 out of 5 stars  See all reviews (4 customer reviews)
RRP: £6.99
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Product details

  • Paperback: 192 pages
  • Publisher: Bloomsbury Publishing PLC; New edition edition (5 Mar 2001)
  • Language English
  • ISBN-10: 074754848X
  • ISBN-13: 978-0747548485
  • Product Dimensions: 19.2 x 12.8 x 1.4 cm
  • Average Customer Review: 3.2 out of 5 stars  See all reviews (4 customer reviews)
  • Amazon Bestsellers Rank: 491,301 in Books (See Top 100 in Books)

More About the Author

Helena McEwen
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Product Description

Amazon.co.uk Review

Helena McEwen writes about an imagined childhood spent in a Scottish mansion with a dark nostalgia. Her debut novel, The Big House, is full of moments of extreme beauty, undercut with emotions of fear and sadness. She has an artist's eye for the look of a thing, for the still moment in nature when chaos rages in the heart. And there is chaos aplenty in this melancholy recollection.

The narrator, Elizabeth, now an adult, has returned to the house to oversee its sale. She is still reeling from the suicide of her brother James and the death of her sister Kitty: "I can feel where they have gone. It is a singing place full of light. It dazzles me. I long for the sweetness of it ... Oh no, I am not sad that they have gone. I am sad that they have gone without me."

These thoughts plunge her into the past, where big dinners and "sparkling dresses" grace the rooms, where "tall men stand in groups, wearing shooting socks of beautiful colours, deep green, rust, burgundy and pale morning sky blue", where there are glorious egg hunts and egg-rolling competitions. But there is a monster in the household and it keeps swallowing them up. The mansion is falling apart, burdened by death duties and debts, the father is drunk and depressed, the mother's voice has a "raw, red streak in it."

The characters emotions and relationships are poignantly observed, acute with memory and loss: "I am naked as the branches without her." The sad and sombre in this book are balanced with glimmers of light and humour, with the spare elegance of poetry. --Eithne Farry

Amazon.co.uk Review

Helena McEwen writes about an imagined childhood spent in a Scottish mansion with a dark nostalgia. Her debut novel, The Big House, is full of moments of extreme beauty, undercut with emotions of fear and sadness. She has an artist's eye for the look of a thing, for the still moment in nature when chaos rages in the heart. And there is chaos aplenty in this melancholy recollection.

The narrator, Elizabeth, now an adult, has returned to the house to oversee its sale. She is still reeling from the suicide of her brother James and the death of her sister Kitty: "I can feel where they have gone. It is a singing place full of light. It dazzles me. I long for the sweetness of it ... Oh no, I am not sad that they have gone. I am sad that they have gone without me."

These thoughts plunge her into the past, where big dinners and "sparkling dresses" grace the rooms, where "tall men stand in groups, wearing shooting socks of beautiful colours, deep green, rust, burgundy and pale morning sky blue", where there are glorious egg hunts and egg-rolling competitions. But there is a monster in the household and it keeps swallowing them up. The mansion is falling apart, burdened by death duties and debts, the father is drunk and depressed, the mother's voice has a "raw, red streak in it."

The characters emotions and relationships are poignantly observed, acute with memory and loss: "I am naked as the branches without her." The sad and sombre in this book are balanced with glimmers of light and humour, with the spare elegance of poetry. --Eithne Farry --This text refers to an out of print or unavailable edition of this title.


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Customer Reviews

Most Helpful Customer Reviews
5 of 5 people found the following review helpful
By A Customer
Format:Hardcover
This is a debut that, while strong on style, contains much that is worth saying. McEwen's language is beautifully worked, she has a near obsession with colour, and a depth of childhood emotion to plumb. Moments of emotional neglect are almost too painful to read through, yet she spares you the self-pity. A slim book that will not appeal to lovers of action plots.
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Format:Paperback
I wasn't expecting much from this book. I know the area where it is set, so wanted to read it despite the negative review and the knock-down price, but I was blown away by this evocation of a lost world through the eyes of a six year old girl: the big house with its opulent public rooms, dark corridors and secrets, the adored big brother who seems so full of life, the fields and woods with their earthy smells and deep silences. More a series of memories than a story, it's structured around the four seasons and as the year turns, we begin to understand how and why the fortunes of the family are changing. There are some shimmering passages of nature writing and some very funny moments in spite of the double tragedy which haunts the work from its opening pages. McEwen 'alchemises pain into beauty' says the back cover. Too right.
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2 of 5 people found the following review helpful
By A Customer
Format:Hardcover
I was recommended this story by a friend who knows that I enjoy beautiful prose and captivating stories. However, I found myself wondering why Helena McEwen had ever written this book. It appeared to be nothing more than an extended poem about her hazy memories of childhood. There was no real structure or storyline at all, just a continuous flow of over-expressive, self-indulgent flowery prose, reminiscent of 'creative writing' attempted as a child. Indeed, it would have lent itself better to a poem format. However, Helena McEwen does clearly have a talent for writing hidden somewhere in this debut. At times I did enjoy her light, dreamy and expressive style, but to write a whole book in such a continually descriptive way can provide an uninspiring and unrewarding read, and remove the reader's focus from the parts of the book which are actually enjoyable. I am sure that there are many people out there who would enjoy a short, light read such as this, but for a reader such a myself, it simply proved frustrating and uninspiring. I await a second novel to see if Helena changes tack slightly.
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