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Looks like it is curtains for Stroud. He just keeps getting in deeper and deeper. Time is getting scarcer as we watch “The Big Clock”. I see no way out. Do You?
This black and white film based on a novel by Kenneth Fearing with screen play by Jonathan Latimer could have easily been a Hitchcock. You will want to own a copy to fine the nuances’ mist the first time around.
The marvellous 'No Way Out' with Kevin Costner was a remake of this brilliantly orchestrated noir from 1948 about a crime magazine editor who is told to investigate a murder case, and it turns out he is the prime suspect, although as yet he is the only one that knows it! He is always just an inch ahead of the police and his own investigators at the magazine.
'The Big Clock' is a thriller that makes you bite your nails feverishly. Everything in magazine boss Charles Laughton's universe ticks along like clockwork, and gradually a strong and very "modern" sense of paranoia creeps into all frames of the film. The pictures are as expressionist and claustrophobic as we have come to expect from vintage noir, a labyrinth within a riddle within a labyrinth, people reduced to laboratory rats darting aimlessly around the corridors. And on top of that, the film has abundant humour, not least in the characterization by Elsa Lanchester as the edgy artist who, by editor Ray Milland, is asked to draw a picture of the suspect, turning out to be a picture of himself.
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