Review
Enthralling. Emotionally gripping . . . ordinary people struggling against a city's beautiful indifference, and clinging on for dear life (Daily Telegraph )
Beautifully crafted, gripping, moving, enlightening. Sure to be one of the best historical novels of the year (Time Out )
Scrupulous, pitch-perfect. With heart-pounding force, Dunmore builds up a double narrative of suspense (Sunday Times )
Magnificent, brave, tender . . . with a unique gift for immersing the reader in the taste, smell and fear of a story (Independent on Sunday )
A masterpiece. An extraordinarily powerful evocation of a time of unimaginable fear. We defy you to read it without a pounding heart and a lump in your throat (Grazia )
A beautifully written and deeply moving story about fear, loss, love and honesty amid the demented lies of Stalin's last days. I literally could not put it down (Antony Beevor )
Dunmore chillingly evokes the atmosphere of Soviet suspicion, where whispered rumours and petty grievances metastasise into lies and denunciation. A gripping read (Daily Mail )
Meticulous, clever, eloquent. An absorbing and thoughtful tale of good people in hard times (Guardian )
A remarkably feeling, nuanced novel that satisfies the head as well as the heart. This does not read like a retelling of history, but like a draught of real life. With her seemingly small canvas, Dunmore has created a universe (Sunday Herald )
Dunmore's genius lies in her ability to convey the strange Soviet atmosphere of these very Soviet stories using the most subtle of clues (Spectator )
Storytelling on a grand scale (The Times )
Beautifully crafted, gripping, moving, enlightening. Sure to be one of the best historical novels of the year (Time Out )
Scrupulous, pitch-perfect. With heart-pounding force, Dunmore builds up a double narrative of suspense (Sunday Times )
Magnificent, brave, tender . . . with a unique gift for immersing the reader in the taste, smell and fear of a story (Independent on Sunday )
A masterpiece. An extraordinarily powerful evocation of a time of unimaginable fear. We defy you to read it without a pounding heart and a lump in your throat (Grazia )
A beautifully written and deeply moving story about fear, loss, love and honesty amid the demented lies of Stalin's last days. I literally could not put it down (Antony Beevor )
Dunmore chillingly evokes the atmosphere of Soviet suspicion, where whispered rumours and petty grievances metastasise into lies and denunciation. A gripping read (Daily Mail )
Meticulous, clever, eloquent. An absorbing and thoughtful tale of good people in hard times (Guardian )
A remarkably feeling, nuanced novel that satisfies the head as well as the heart. This does not read like a retelling of history, but like a draught of real life. With her seemingly small canvas, Dunmore has created a universe (Sunday Herald )
Dunmore's genius lies in her ability to convey the strange Soviet atmosphere of these very Soviet stories using the most subtle of clues (Spectator )
Storytelling on a grand scale (The Times )
Product Description
Leningrad, 1952. Andrei, a young hospital doctor, and Anna, a nursery school teacher, are forging a life together in the postwar, postsiege wreckage. But their happiness is precarious, like that of millions of Russians who must avoid the claws of Stalin's merciless Ministry of State Security. So when Andrei is asked to treat the seriously ill child of a senior secret police officer, he and Anna are fearful. Trapped in an impossible, maybe unwinnable game, can they avoid the whispers and watchful eyes of those who will say or do anything to save themselves?
The Betrayal is a powerful and touching novel of ordinary people in the grip of a terrible and sinister regime, and a moving portrait of a love that will not be extinguished.
About the Author
Helen Dunmore has published eleven novels with Penguin: Zennor in Darkness, which won the McKitterick Prize; Burning Bright; A Spell of Winter, which won the Orange Prize; Talking to the Dead; Your Blue-Eyed Boy; With Your Crooked Heart; The Siege, which was shortlisted for the 2001 Whitbread Novel of the Year Award and for the Orange Prize for Fiction 2002; Mourning Ruby; House of Orphans; Counting the Stars and The Betrayal which was longlisted for the Man Booker Prize 2010. She is also a poet, children's novelist and short-story writer.
