In the 1960s, the dream team in comic books was Stan Lee and Jack Kirby. 20 years earlier, the dream team was Joe Simon and Jack Kirby. As this beautifully-produced book shows, Simon and Kirby were pioneers, introducing dynamic page layouts, the double-page spread, the 'kid gang' and romance genres, and upping the ante in existing genres with war, cowboy, crime, horror, sci-fi, humour and, of course, super-hero stories. Well-chosen examples of all of these are included in this introductory volume to a planned series of Kirby/Simon reprints. Spanning the years 1940 to 1960, we have complete stories of Captain America, the Sandman, Stuntman, Fighting American, the Fly, Blue Bolt, Boy Commandos, the Kid Cowboys of Boys' Ranch, Bulls Eye and others.
Perhaps the main thing that set Simon and Kirby apart from most of their contemporaries is that they didn't treat their readers like idiots. At a time when comic books were regarded as disposable trash, Joe and Jack saw them as a great way to tell stories about, well, anything, and to do so with wit and intelligence. And that's what they did. While Kirby handled most of the pencilling, bringing a new, cinematic dynamism to comic art, Simon did most of the inking, and both men devised plots and wrote dialogue. Obviously the artwork looks old-fashioned by modern standards. After all, we're talking about stories published 70 years ago. At the time, it was cutting edge stuff that influenced a whole generation of comic book creators, establishing much of the 'language' of comics still used to this day. They simply understood the possibilities of four-colour comics in ways that left their contemporaries running to catch up.
While these stories are interesting period pieces, there are some that still pack quite a punch, particularly where they deal with issues close to the hearts of their creators. Among these, I'd single out 1947's 'My City is No More,' and 1954's 'Booby Trap.' Another stand-out is 1950's 'The Scorn of the Faceless People,' which is not only a classic weird tale but contains some of the best artwork in the book.
This is a large-format hardback with the stories beautifully reproduced from enhanced scans from the original comic books and printed on archive quality paper. Many of the tales reproduced here are almost impossible to find and, if you can find them, will set you back hundreds of dollars. All in all, a master-class in how to do classic comic-book reprints and a great taster for what promises to be a superb and highly-collectible series.