Hardly anyone meeting Winfired Atwell could easily shake the expectation that the powerhouse entertainer of stage and television would inevitably be an extrovert. Yet there she was, reflective and shyly charming, listening attentively, offering her thoughts in that beautifully accented voice only when good manners and courtesy deemed it appropriate. She was more than just "Wonderful Winnie" who played the piano as if she had an extra pair of hands. She was a rare person who believed the best in people, while determinedly disbelieving her own publicity. She trusted the language of music to express her joyous love affair with the piano,and in so doing gave the world much captivating amd tasteful music so well captured on this CD. A "Best Of" compilation by this superb entertainer is long overdue. From the opening copper-bell tones of the "other piano"(the honky-tonk instrument salvaged from a Battersea curiosity shop for fifty shillings which would log up a half a million touring miles - without once being tuned), here are the classic original recordings. There are her best-loved ragtime numbers, a little boogie woogie, and rhythm numbers like the irrssistible "Calcutta". For good measure, a silver cascade of backing strings is brought in on the big concert numbers like Rachmaninov's 18th. Variation on a Theme by Paganinni. It is easy to see how this delightful virtuosity must have lit up the musical landscape during the years of post-war austerity when Winnie became the first, and to this day the only, pianist to routinely score top-ten hits in the pop music charts. Listen with particular attention to her astonishing attack on the keys in "Raunchy", a recording in which Winifred reputedly left the studio with blood dripping from her fingertips. The quite different mood of "Flirtation Waltz", a lovely evocation of dancers in love, and the intriguing, wistful "Left Bank", make this a feast of beautiful and exuberant playing. As the title suggests, it's the best of Winifred Atwell. There's none better.