Intriguingly, there are 6 old songs (mostly traditional Ladino) and 7 new ones which she co-wrote with her mother and a multi-talented guy called Joe Taylor (also producer, guitars, bass, oud, backing vocals!) . But the whole package fits so perfectly that you never realise there's a gap of 500 years between one half and the other.
Apart from the voice, I also love the haunting recorders. And there is something about the melodies of these songs from the tradition of the Sephardim (i.e. the Jews who lived in Spain before 1492, when the place was still multi-cultural) that is distinct from all other music I know. For instance the recorder motif in La galana, which I've figured out how to play on the flute -- you wouldn't find that kind of melody anywhere else.