In this fascinating and absorbing film, we follow the lead character's dodgy dealings in Paris, as he (Tom) works with his associates to swindle his way to riches from seedy property transactions.
In a similar manner to Harvey Keitel's character in Mean Streets, we soon start to see that Tom does in fact have a moral compass underneath, and is a complicated individual with cravings not just for power, but also for music, and women. Of the latter, we see the full spectrum of his traits and emotions, from womanising, to insecurity.
It is gripping to follow Tom as he is torn between his gangster-style life and his rediscovery of music. Scenes where his petite Chinese tutor is first scared of his outbursts of impatience, and then finally snaps and tears into him, add to the charm and symmetry of the film and its characters.
Tom seems to make the right decisions in the end and has a new, pleasing life, when he suddenly comes close to losing it all in a moment of madness, when his past turns up to haunt him one last time. I will leave the reader to discover whether Tom can control his urges, or whether we see a sad ending.
A marvellous film, and just to add, Amazon's review mentioned that the film might have risked being a "hokum tale on the power of art" - but as films like this prove, in life, art is absolutely very real and genuine to those who feel its importance and beauty.