* Bandini is a magnificent creation, and his rediscovery is not before time. Times Literary Supplement * John Fante knew how to make words sing. When he was on form, he could write sentences that stopped time. Uncut * John Fante takes some beating ... mean, moody, disturbing and intensely atmospheric. The Times * Fante's searing, effortless style eschewed the refinement of Fitzgerald, the hubris of Hemingway and the panoramic vistas of Dos Passos. Instead he marshalled the raw materials of his own life - poverty, sex, paternal hatred, Catholic guilt, misplaced pride, hard drinking, labour, fighting, overarching literary ambition and the internecine hatred within immigrant communities in pre-war America - rendering the pain and comedy with such heartbreaking simplicity as to brook no hint of the literary zeitgeist. Dazed and Confused
About the Author
Born in Denver on 8 April 1909, John Fante migrated to Los Angeles in his early twenties. Classically out of place in a town built on celluloid dreams, Fante's literary fiction was full of torn grace and redemptive vengeance. Wait Until Spring, Bandini (1938), his first novel, began the saga of Arturo Bandini, a character whose story continues in The Road to Los Angeles, Ask the Dust and Dreams from Bunker Hill - collectively known as The Bandini Quartet. Fante published several other novels, as well as stories, novellas and screenplays in his seventy-four years, including The Brotherhood of the Grape (1977) and 1933 Was A Bad Year (posthumously, 1985). He was posthumously recognised in 1987 with a Lifetime Achievement Award by PEN in Los Angeles, four years after his death from diabetes-related complications.