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Amazon.co.uk Review
Review
--"The New York Times Book Review
""Impressive, poignant…. A travel book crafted with the touch of a skilled novelist."
--"Time Out New York"
"A trenchant…book that sounds the depth of slavery’s legacy."
--"San Francisco Sunday Examiner & Chronicle"
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It would be of interest to anyone who thinks about:
slavery/the middle passage, the limits (or failures) of Pan-Africanism, the power of the 'Exodus' myth in the Bible, and finally the invisible histories of urban space (i.e., of cities like Liverpool, UK and Charleston, SC).
The different destinations in the book -- Ghana, Liverpool, Charleston, even Israel -- all have some bearing to the middle passage. The argument of this book, if there is an argument, seems to be that the journeys "homeward" that many people of African descent invent for themselves are all in some way symptomatic of the original event of separation, the forcible departure constituted by captivity and the journey to the new world.
Amardeep Singh
It was, however, immediately more interesting and engrossing than any of those books Mr. Theroux has written, and it had even more honesty than Maya Angelou's book about coming to Africa, "All God's Children Need Traveling Shoes." For a long time I was not sure if it was meant to be novel or not. It was acertainly a novel idea, to make such trips, one after the other, in the time that one would need to see the places one was visiting (although I get the feeling that he might have strayed further afield in Africa than he did. There is an element of depression at times that was perhaps strongest in Africa, that kept some of his questions from being asked, so that he decided to move on and end any meandering reflection.) He was always interested in takling to people of the places he visited, but not to justify or romanticize about some book-learned image of the place. He aims more to appreciate what the possibilities of the places he visits are now, and then more importantly, what people there feel their history to be.
It is almost as if he goes to visit a relative in each place, (although he never does this) and in the process was not recognised as a visitor or tourist (was not recognised as anything, perhaps, something that helped lend the novel air to the book, and an interesting element of his reflection. I guess it is based upon the narrator's (and author's, I suppose) African heritage, colonial experience, and English mother tongue, despite his never having lived in America, Britain, or Africa.)
I recomend this book as history and even as a novel. I Guess it is a new sort of book for this age, frank and real and yet also curiously fictitious. It is hard to put down. I look forward to reading it again.
This is a great read!
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