For an album as beloved and as famous as "Abandoned Luncheonette" to not be on a straightforward CD remaster somewhere in the world at a reasonable price is downright odd. Up until now Hall & Oates fans have had to put up with bits of it on a 'Best Of' or 'Live Versions' on a pricey Box Set. But this superb two-disc reissue from Edsel of the UK which gathers up their first 3 albums on Atlantic (including "Abandoned Luncheonette") - puts an end to that - and how. All three LPs are remastered to great effect and you even get 4 bonus tracks from 2 compilations covering the period. Here are the details...
Released as a 2CD set on 25 July 2011 in the UK, Edsel EDSD2103 breaks down as follows:
Disc 1 (75:35 minutes):
Tracks 1 to 11 are their debut album "Whole Oats", released November 1972 in the USA on Atlantic SD-7242. It was eventually released in the UK on Atlantic K 50306 in September 1976
Tracks 12 to 20 are their 2nd album "Abandoned Luncheonette", released November 1973 in the USA on Atlantic SD-7269 and January 1974 in the UK on Atlantic K 40534
Disc 2 (57:14 minutes):
Track 1 is "Past Times Behind" - first released on "The Atlantic Collection" CD in 1996 (it's an outtake from the "Whole Oats" sessions from April 1972)
Tracks 2 to 4 are "It's Uncanny", "I Want To Know You For A Long Time" and "Love You Like A Brother" which were 3 new songs on the "No Goodbyes" compilation album released March 1977 in the USA on Atlantic SD-18213 and in the UK on Atlantic K 50347
Tracks 5 to 14 are their 3rd album "War Babies", released October 1974 in the USA on Atlantic SD-18109 and November 1974 in the UK on Atlantic K 50086
Edsel have been at this reissue game for a very long time so it's no surprise that even at this price, the 32-page booklet being offered here is superlative - Pages 2 to 7 deal with "Whole Oats", Pages 8 to 13 with "Abandoned Luncheonette" and Pages 14 to 23 with the bonus tracks and "War Babies". Pages 24 to 31 give you a history and appreciation of the albums and that period in their career by noted writer ALAN ROBINSON and in between are pictures of 7" singles, album labels, full-colour artwork and promo stuff. The text even references Ken Sharp's fantastic work on the 2009 4CD Hall & Oates Box Set "Be What You Want, Be Who You Are" (which I've extensively reviewed elsewhere). As I say - it's impressive stuff. But the real fireworks lie in the sound...
Remastered by PHIL KINRADE at the Alchemy Studios in London, the sound quality is superb. The first album suffers a tiny bit from hiss, but by the time you get to the ARIF MARDIN production values of "Abandoned Luncheonette" and the expertise of TODD RUNDGREN on "War Babies" - the audio quality is gorgeous.
Highlights include "Lilly (Are You Happy)" which even in 1972 showed their soulfulness in a rock context, while it's easy to see why "Goodnight And Goodmorning" was chosen as their debut 7" single on Atlantic - it's very upbeat if not a little lightweight. "I'm Sorry" was the follow up 45 in the USA and really should have gotten them noticed - but it tanked (amazingly they didn't reach the US charts until 1976).
But what did get them attention was the quantum leap in song-writing and production quality on album number 2 - "Abandoned Luncheonette". Even now its opener "When The Morning Comes" sounds as fresh as a daisy and still brings a smile to many a face - the remaster of it is just lovely (lyrics above). It's followed by the acoustic guitar opening of "Had I Known You Better Then" which is now very clear - as is its slinky bassline. But that's trumped by the punch of the gambling song "Las Vegas Turnaround..." - it's incredibly good and again still sounds bright-as-a-button after all these years. Then there's the big one and their real breakthrough - "She's Gone" - the audio here is truly gorgeous - with Chris Bond's Mellotron even more to the fore (the strings too). It's also a treat to get the lesser-heard and completely forgotten "Laughing Boy" in great sound - it features Hall on a piano only with a solitary Flugelhorn backing him up (provided by Marvin Stamm) - very nice indeed.
Disc 2 opens with 4 lesser-heard sides including the excellent outtake "Past Times Behind" - an acoustic ditty as pretty as anything on the debut album. The upbeat "It's Uncanny" was released as a 7" single in late 1977. The "War Babies" album had Todd Rundgren at the controls and you can hear his influence on the trippy "Is It A Star?" and "Beanie G And The Rose Tattoo" which sounds like a "Hermit At Mink Hollow" outtake. But the air-raid sirens that open "War Baby Son Of Zorro" still sound like they belong to some other band - as does the metal jaggedness of "Johnny Gore And The C Eaters". "70's Scenario" is more melodic and "Better Watch Your Back" is good too, but little gets you away from the feeling that the vast majority of the album is a badly misguided mistake at trying a new direction. They would get their more natural soulfulness back when they signed to RCA in 1975 and released stuff like "Sara Smile".
To sum up - 3 full albums and more, great sound quality, superbly annotated booklet, tunes you love and some worth getting to know...and it's cheap too.
Even if it isn't all genius - "The Atlantic Albums...Plus" is a very good deal indeed.
PS:
There's a 7" single Discography attached to this review in the 'comment' section - this release will allow fans to sequence their first 8 releases on 45 for the first time