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Deliberately episodic in form, the film takes us through the careful planning for the job, the botched attempt, and the frantic getaway. In generating believable and sympathetic criminals, John Huston's confident direction does the difficult job of showing how the violence of these character has not robbed them of their humanity.
Of course, unlike the Westerns, where the dark heroes could ride off into the sunset, this film aimed for the gritty realism of its day and so there could be no rosy future for its villians. Thus the film bears the classic elements of tragedy whereby the protagonists' own shortcomings prompt their fall. And as with all great tragedy, inevitability does not betray the climax of its power.
In many ways, it is a pity that this film featured the debut of Marilyn Munroe. Her patent beauty is only on the screen for a few minutes and yet has stolen much of the attention that the rest of this film so richly deserved.
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