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The Artist of Disappearance [Hardcover]

Anita Desai
5.0 out of 5 stars  See all reviews (3 customer reviews)
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Book Description

4 Aug 2011

A triptych of beautifully crafted novellas make up Anita Desai's exquisite new book. Set in modern India, but where history still casts a long shadow, the stories move beyond the cities to places still haunted by the past, and to characters who are, each in their own way, masters of self-effacement.

In 'The Museum of Final Journeys' an unnamed government official is called upon to inspect a faded mansion of forgotten treasures, each sent home by the absent, itinerant master. As he is taken through the estate, wondering whether to save these precious relics, he reaches the final - greatest - gift of all, looming out of the shadows.

In 'Translator, Translated', middle-aged Prema meets her successful publisher friend Tara at a school reunion. Tara hires her as a translator, but Prema, buoyed by her work and the sense of purpose it brings, begins deliberately to blur the line between writer and translator, and in so doing risks unravelling her desires and achievements.

The final story is of Ravi, living hermit-like in the burnt-out shell of his family home high up in the Himalayan mountains. He cultivates not only silence and solitude but a secret hidden away in the woods, concealed from sight. When a film crew from Delhi intrudes upon his seclusion, it compels him to withdraw even further until he magically and elusively disappears...

Rich and evocative, remarkable in their clarity and sensuous in their telling, these stories remind us of the extraordinary yet delicate power of this pre-eminent writer.


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Product details

  • Hardcover: 176 pages
  • Publisher: Chatto & Windus (4 Aug 2011)
  • Language: English
  • ISBN-10: 0701186208
  • ISBN-13: 978-0701186203
  • Product Dimensions: 13.7 x 1.8 x 19.2 cm
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Bestsellers Rank: 305,582 in Books (See Top 100 in Books)

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Review

Bewitchingly beautiful (The Times )

To compare Anita Desai's fiction with that of Chekhov or the short stories of Tolstoy is not extravagant; it is entirely warranted... anyone looking for the rare frisson at the heart of consummate storytelling need look no farther (Eileen Battersby Irish Times )

From a web of connections, Desai spins stories of history and loss that move the reader not with epiphanies, but through the sheer beauty of her storytelling (Time Out )

A pleasure (Keith Miller Telegraph )

Anita Desai writes exquisitely. (The Scotsman )

Book Description

An absolute jewel from one of Chatto's preeminent novelists: a triptych of stories from India's finest living woman writer

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8 of 8 people found the following review helpful
5.0 out of 5 stars A real gem! 24 Sep 2011
Format:Hardcover
This is the kind of book which will delight even people (like me) who don't usually buy short stories. It's probably because the three pieces here are so beautifully written, so complete and rounded and with such powerful and lasting images that they might as well be three full novels in their own right.

They are all set in India of different times, but India is merely the back-stage of the stories: the sounds and smells and the light as it were. The rest is human life, intriguing, fascinating and enchanting. A wonderful little book - I highly recommend it!
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3 of 3 people found the following review helpful
5.0 out of 5 stars "There's no one there. He's gone." 17 Dec 2011
By Mary Whipple HALL OF FAME TOP 100 REVIEWER
Format:Hardcover
Always an astute observer and subtle writer about human nature, Anita Desai is at her best here, creating three novellas revealing the interplay between a main character dealing with universal issues and a second character who sees the world and its values quite differently. The result is book that is morally serious and filled with thematically weighty stories which also reveal subtle, unspoken lessons - neither moralistic, obvious, nor absolute. As each main character approaches the end of a problem, s/he might well conclude that what s/he wants, "[is] dead, a dead loss, a waste of time." But "the loss" is not the point. The reader gains a new appreciation of the small joys and great sorrows which fill the lives of plain people in rural India trying to find beauty and, perhaps, the fulfillment of dreams within an overwhelming reality. All the characters want to preserve something beautiful and important, but all must persevere against insensitive powers. Ultimately, each main character becomes an "artist of disappearance," either physically, emotionally, or spiritually.

In "The Museum of Final Journeys," an old man from the countryside visits a new county official, begging for help. The old man has been working all his life for the same family, now dead or missing. The only son has traveled the world, collecting objects which he sends to his mother. After her death, the objects continue to arrive, and the old servant and his assistant must sell off the furniture to create a museum for these stuffed animals and birds, miniature paintings from Persia and the Mughal Empire, and antique weapons of war among other things. The final gift is the one which the old man loves most, but it requires a great deal of maintenance. He begs the official to accept the other valuable objects in exchange for allowing him to preserve this one final gift. The servant and the official live in different worlds and have difficulties communicating.

"Translator Translated" is quite different. Prema Joshi, returning to her high school for Founder's Day, meets Tara, the brightest and most popular student at the school. Prema, a teacher, has been studying Oriya, her mother's language, particularly the work of Suvarna Devi, unknown beyond her hillside village. Tara, now a publisher of the work of previously unknown female writers, asks Prema to translate Suvarna Devi's first work, and every aspect of Prema's life changes. The second work by Devi, a novel, however, is trite and clichés -ridden. "I saw that what was needed was for me to be inventive...and create a style for the book...I decided to take liberties with the text." The results are predictable, and the effects on Prema Joshi's modest life are significant
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"The Artist of Disappearance" tells of Ravi, an adult living in the burned remains of the family home. As Ravi's story evolves, his sensitivity to the world around him becomes clear, and his understanding of aesthetics regarding the natural world is particularly sophisticated. Ravi has created a hidden garden which represents the essence of beauty. At the same time, a group of young videographers is traveling the mountainside looking for examples of environmental despoliation. Ravi, too, finds his life permanently changed.

The importance of beauty and the problem of which beautiful aspects of the past deserve to be saved for future generations permeate this collection. Who should make the decisions about what, if anything, to save? How much beauty should be local? How should artifacts be preserved? As Desai explores these ideas in prose of almost crystalline purity and concision, her sensitivity to the idea of "less is more" prevails. Mary Whipple
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0 of 4 people found the following review helpful
5.0 out of 5 stars the art of disappearance 22 May 2012
Format:Hardcover|Amazon Verified Purchase
As I ordered this book as a present, I cannot say anything about it except that my friend was happy to receive it.
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