Harvey Kurtzman was undoubtedly one of the greats of comics history. An overview of his life and work is long overdue, and this volume doesn't disappoint. The book is beautifully produced, with amazing colour reproductions of old Kurtzman favourites, from Mad and EC and so forth, as well as containing some previously unpublished illustrations and pictures. One of the highlights is several pages of transparent vellum overlays, one over the other, showing how Kurtzman and his colleague Will Elder created the luxuriant pages of Little Anny Fanny for Playboy. It's a heartbreaking tale how one of the true geniuses of the comics field was underappreciated in his time, for years slogged from freelance job to freelance job, faced rejection time and again, before settling down to produce a plush, extremely well paid, but ultimately creatively retrograde strip for the rest of his working life. There is no doubt that this book is excellent value for money for the pictures alone - especially at the price Amazon is offering. I held back from giving it 5 stars because of the text. Perhaps because Kurtzman was overlooked for so long, the author feels he has some ground to make up, but all the same, the book feels a little like a hagiography. The book also barely dips its toes into Kurtzman's working relationships with other writers and artists, nor does it explore in any detail the development of his artistic or writing technique. Also, being an American book, it's kind of taken for granted here that Mad was Kurtzman's best work. I can't be alone in finding Mad a trifle sophomoric and extremely dated. The strip "Superduperman" (stop, Harvey, you're killing me) included here, only goes to prove my point. For me Kurtzman's best work was on the EC war comics and the Jungle Book (now expensive to get hold of). It's a steal and an essential addition to any comic fan's library.