This is interdisciplinary scholarship at its best ... The Art of Grafted Song
is a masterful summation of [Plumley's] findings, a standard of excellence within musicological enquiry, and an admirable model of interdisciplinary synthesis. (Kathleen Sewright, Choral Journal
About the Author
is Professor of Historical Musicology at the University of Exeter. She has published widely on late medieval music and its cultural context and is author of The Grammar of Fourteenth-Century Melody (New York and London, 1996) and (with Anne Stone) of Codex Chantilly, Bibliothèque du Château de Chantilly, MS 564 (Turnhout, 2008), and co-editor of three volumes of essays on late medieval and Renaissance culture.