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Product Description
This fascinating compilation of the journalist's art unites the reporter's magnificent eye for detail with the novelist's gift for storytelling. Featuring eyewitness accounts of war and social revolution, profiles of sports heroes and politicians, and eye-opening investigations into both the mundane and the eccentric details of life, it includes:
-- Walt Whitman on the Battle of Chancellorsville
-- Stephen Crane, George Orwell, and Jack London on how the other half lives
-- Abraham Cahan on immigrants arriving in New York
-- Rebecca West on Bosnia
-- Piers Paul Read on survival in the Andes
-- Jimmy Breslin on John F Kennedy's funeral
-- Richard Ben Cramer on the 1988 presidential election
-- Svetlana Alexiyevich on the Soviet intervention in Afghanistan
-- David Simon on Baltimore's homicide interrogation room
-- Bill Buford on soccer thugs
-- Rosemary Mahoney on a lesbian bar in Dublin
-- Walt Whitman on the Battle of Chancellorsville
-- Stephen Crane, George Orwell, and Jack London on how the other half lives
-- Abraham Cahan on immigrants arriving in New York
-- Rebecca West on Bosnia
-- Piers Paul Read on survival in the Andes
-- Jimmy Breslin on John F Kennedy's funeral
-- Richard Ben Cramer on the 1988 presidential election
-- Svetlana Alexiyevich on the Soviet intervention in Afghanistan
-- David Simon on Baltimore's homicide interrogation room
-- Bill Buford on soccer thugs
-- Rosemary Mahoney on a lesbian bar in Dublin
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Customer Reviews
Most Helpful Customer Reviews
3 of 3 people found the following review helpful
Format:Hardcover
As a writer of non-fiction, I'm grateful to the editors of this book. It's the best and most complete survey of the development of non-fiction writing I've found, reaching back to Defoe for examples of techniques we've come to think of as recent developments non-fiction reporting, and moving through the "new journalism" writers to contemporary writers such as Ted Conover and Michael Winerip. The editors have written elegant prefaces not only to the book but to each of the dozens of writers included,giving biographical information, historical context, and information on the writing they've chosen to include (why they chose an early Hemingway column from the Toronto Star, for instance; the importance of Joseph Mitchell's profile on a bearded lady as opposed to his more well-known pieces). I would have liked to have seen something from Ian Frazier's Great Plains or Janet Malcolm's meditation on the art and impossibility of objective biography The Silent Woman, both of which push the craft of non-fiction writing into original territory. Nonetheless, this is a great book for students of non-fiction, non-fiction writers and especially for teachers of non-fiction. And as a collection of great writing, it's also great reading.
Most Helpful Customer Reviews on Amazon.com (beta)
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4 reviews
22 of 24 people found the following review helpful
The best survey of non-fiction and its development I've seen
6 July 1998
Format:Hardcover
As a writer of non-fiction, I'm grateful to the editors of this book. It's the best and most complete survey of the development of non-fiction writing I've found, reaching back to Defoe for examples of techniques we've come to think of as recent developments non-fiction reporting, and moving through the "new journalism" writers to contemporary writers such as Ted Conover and Michael Winerip. The editors have written elegant prefaces not only to the book but to each of the dozens of writers included,giving biographical information, historical context, and information on the writing they've chosen to include (why they chose an early Hemingway column from the Toronto Star, for instance; the importance of Joseph Mitchell's profile on a bearded lady as opposed to his more well-known pieces). I would have liked to have seen something from Ian Frazier's Great Plains or Janet Malcolm's meditation on the art and impossibility of objective biography The Silent Woman, both of which push the craft of non-fiction writing into original territory. Nonetheless, this is a great book for students of non-fiction, non-fiction writers and especially for teachers of non-fiction. And as a collection of great writing, it's also great reading.
10 of 11 people found the following review helpful
This is Writing, not typing; and it's worth reading
29 May 2006
Format:Paperback|Amazon Verified Purchase
Perhaps the reduction in reading of 'literary novels' is due to the general decline in other forms of writing: evidence of this possibility can be found by comparing the original styles of prose collected in this anthology with the general journalistic style today that is either turgid, 'stylishly hip (meaning writing TO the audience, not FOR the audience,' or just plain banal. Every newspaper on-line or off now has a 'new journalist' feature or features, but there are two problems with most of the writers who work on them: they are mediocre writers because they have not learned from people who write well nor have they taken the time to become keen observers of human behavior; To take just two examples from this book, Gary Smith writes about basketball and Native Americans in Montana and finds the soul of his subject while R. Ben Kramer takes a look at Bob Dole in the 1988 primaries and finds the hurt spirit beneath his mediated image. Such observation and expression requires a devotion to understanding one's subject, not a devotion to drawing attention to one's self. Literary journalists nowadays cater to the desires of their editors, which means too often, the desires of their publishers and in turn the desires of the corporation that owns the entity, and most likely the corporation doesn't know anything about writing or humanity, and couldn't care less. True 'literary journalism' is an art form, but like other skills it requires lots of apprenticeship, honing, and maturation. Right now such values are on hiatus owing to our need to quickly fill the 'information hole' of a vast array of media: the results being cloned authors coming off an assembly line.
1 of 2 people found the following review helpful
Extraordinarily Fine
21 Nov 2008
Format:Paperback|Amazon Verified Purchase
While familiar with most of the writers in this book (Defoe, Boswell, Dickens, Whitman, Crane, Richard Harding Davis, London, Hersey, Lillian Ross, Talese, Capote, Tom Wolfe, Kidder, Orwell, Liebling, Mailer, Hunter Thompson, Hemingway, Agee, Joseph Mitchell, Rebecca West, Steinbeck, Breslin, Didion, and McPhee), I generally was not familiar with the works included. Additionally, there are numerous other writers I was not familiar with, so most of the reading experience was new to me.
The variety of the works chosen is as impressive as their general excellence. In sum, the editors (both of whom teach English and journalism at the University of Delaware) have succeeded in producing a volume that is a delight to read. The only book that I'm aware of that is in the same league is Literary Journalism.
Highly recommended.
The variety of the works chosen is as impressive as their general excellence. In sum, the editors (both of whom teach English and journalism at the University of Delaware) have succeeded in producing a volume that is a delight to read. The only book that I'm aware of that is in the same league is Literary Journalism.
Highly recommended.
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