- Paperback: 384 pages
- Publisher: Spectra Books; Reprint edition (30 Jan 2007)
- Language English
- ISBN-10: 0553383078
- ISBN-13: 978-0553383072
- Product Dimensions: 15.5 x 2 x 23.2 cm
- Average Customer Review: 4.5 out of 5 stars See all reviews (4 customer reviews)
- Amazon Bestsellers Rank: 436,464 in Books (See Top 100 in Books)
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Product Description
Product Description
“The best novel concerning the American pop music culture of the sixties I’ve ever read.”—Stephen King
From #1 New York Times bestselling author George R. R. Martin comes the ultimate novel of revolution, rock ’n’ roll, and apocalyptic murder—a stunning work of fiction that portrays not just the end of an era, but the end of the world as we know it.
Onetime underground journalist Sandy Blair has come a long way from his radical roots in the ’60s—until something unexpectedly draws him back: the bizarre and brutal murder of a rock promoter who made millions with a band called the Nazgûl. Now, as Sandy sets out to investigate the crime, he finds himself drawn back into his own past—a magical mystery tour of the pent-up passions of his generation. For a new messiah has resurrected the Nazgûl and the mad new rhythm may be more than anyone bargained for—a requiem of demonism, mind control, and death, whose apocalyptic tune only Sandy may be able to change in time . . . before everyone follows the beat.
“The wilder aspects of the ’60s . . . roar back to life in this hallucinatory story by a master of chilling suspense.”—Publishers Weekly
“What a story, full of nostalgia and endless excitement. . . . It’s taut, tense, and moves like lightning.”—Tony Hillerman
“Daring . . . a knowing, wistful appraisal of . . . a crucial American generation.”—Chicago Sun-Times
“Moving . . . comic . . . eerie . . . really and truly a walk down memory lane.”—The Washington Post
From the Inside Flap
Onetime underground journalist Sandy Blair has traveled far from his radical roots in the '60s - until the bizarre and brutal murder of a millionaire rock promoter draws him back. As Sandy sets out to investigate the crime, he finds himself on a magical mystery tour of the pent-up passions of his generation. For a new messiah has resurrected the once legendary rock band Nazgul - but with an apocalyptic new beat that is a requiem of demonism, mind control, and death only Sandy may be able to change in time. . . .
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Customer Reviews
Most Helpful Customer Reviews
35 of 36 people found the following review helpful
Format:Paperback
Sandy Blair is a former rock journalist turned novelist whose latest project isn't turning out as well as it should. However, when the former manger of one the most vital rock bands of the 1960s - the Nazgūl - is murdered in a satanic ritual, Sandy finds himself drawn into an investigation that leads him back to his roots and to some unsettling home truths. Meanwhile, an engimatic promoter is determined to reform the Nazgūl for a reunion tour - difficult since their lead singer was shot dead a decade earlier - that will have a startling outcome.
Like the opening volume of A Song of Ice and Fire and Fevre Dream, The Armageddon Rag (1983) is only superficially a genre story. The SF&F trappings don't kick in until very late in the day (actually far later than either of the first two works; nearly three-quarters of the book go by before any SF or horror elements creep in at all), and once more the focus is squarely on the fascinating characters GRRM creates. There is more of a hint of nostalgia here though, as GRRM also grapples with the death of the ideology of the 1960s and 1970s amidst the rise of ultra-capitalism in the 1980s.
The book thrives on fascinating details: the carefully thought-out Nazgūl album covers, the songs, the setlists. Creating a fictional band and making them feel 'real' is an incredibly difficult task, arguably only successfully achieved in parody (Spinal Tap being the obvious example), but GRRM pulls it off here. Knowing that 'The Armageddon/Resurrection Rag' and 'Ragin' don't actually exist doesn't stop the reader wanting to go and download them from iTunes.
Those familar with GRRM's work will draw a lot of enjoyment from seeing connections that are deliberately drawn: a band called the Fevre River Packet Trading Company or a Nazgūl song called 'Dying of the Light', for example. There are also hints of what is to come in A Song of Ice and Fire: a father-son relationship that is reminiscent of the Tarlys, a giant hulking warrior (or in this case a bodyguard) and a similar mixture of pathos, nostalgia and cruelly unexpected plot twists.
There are a few minor faults with the novel: the events of the ending are ambiguous and one plotline is left seemingly dangling, although I suspect this was deliberate (either as a hook to a potential sequel or, more likely, simply so the book's conclusion wouldn't feel too neat and tidy). Otherwise The Armageddon Rag is an excellent novel that demonstrates the author's variety by producing a work that is as far from his later epic fantasies as is nearly possible whilst staying in the same genre, yet very nearly as compelling. Highly recommended.
Like the opening volume of A Song of Ice and Fire and Fevre Dream, The Armageddon Rag (1983) is only superficially a genre story. The SF&F trappings don't kick in until very late in the day (actually far later than either of the first two works; nearly three-quarters of the book go by before any SF or horror elements creep in at all), and once more the focus is squarely on the fascinating characters GRRM creates. There is more of a hint of nostalgia here though, as GRRM also grapples with the death of the ideology of the 1960s and 1970s amidst the rise of ultra-capitalism in the 1980s.
The book thrives on fascinating details: the carefully thought-out Nazgūl album covers, the songs, the setlists. Creating a fictional band and making them feel 'real' is an incredibly difficult task, arguably only successfully achieved in parody (Spinal Tap being the obvious example), but GRRM pulls it off here. Knowing that 'The Armageddon/Resurrection Rag' and 'Ragin' don't actually exist doesn't stop the reader wanting to go and download them from iTunes.
Those familar with GRRM's work will draw a lot of enjoyment from seeing connections that are deliberately drawn: a band called the Fevre River Packet Trading Company or a Nazgūl song called 'Dying of the Light', for example. There are also hints of what is to come in A Song of Ice and Fire: a father-son relationship that is reminiscent of the Tarlys, a giant hulking warrior (or in this case a bodyguard) and a similar mixture of pathos, nostalgia and cruelly unexpected plot twists.
There are a few minor faults with the novel: the events of the ending are ambiguous and one plotline is left seemingly dangling, although I suspect this was deliberate (either as a hook to a potential sequel or, more likely, simply so the book's conclusion wouldn't feel too neat and tidy). Otherwise The Armageddon Rag is an excellent novel that demonstrates the author's variety by producing a work that is as far from his later epic fantasies as is nearly possible whilst staying in the same genre, yet very nearly as compelling. Highly recommended.
5 of 5 people found the following review helpful
Format:Paperback
The Nazgūl were the rock band that had it all, but their career was extinguished at its peak when their singer was shot dead at a concert in '71. Now it's 10 years later and their erstwhile promoter has been ritually murdered in a manner that connects with that earlier killing. Sandy Blair, a failing novelist and ex-journalist, finds himself embarking on a quest to get to the bottom of the murder.
The journey takes him across America, interviewing the remaining members of the Nazgūl and meeting up with his old friends from the '60s. In everyone he meets he sees the disillusion and dissolution of the '60s dream, and he struggles to reconcile his life now with the idealism of his youth. Meanwhile he discovers that Edan Morse, suspected years ago of social agitation that verged on terrorism, is trying to engineer an unlikely reunion of the Nazgūl, for some dark and disturbing purpose.
The novel is a requiem for the 1960s: its hopes, its liberation, its friendships and most of all its music. I found myself wishing I was at the concerts Martin so thrillingly describes, and that I could go on amazon and order the Nazgūl's albums! But a bigger ambition than nostalgia becomes apparent, as the book edges into supernatural territory and Sandy Blair's fight to maintain his ideals becomes crucial to the future of the world.
Like everything George R R Martin writes, the novel is smoothly engineered, peopled with richly sympathetic characters, deeply felt and boldly imagined. A powerful and satisfying read.
The journey takes him across America, interviewing the remaining members of the Nazgūl and meeting up with his old friends from the '60s. In everyone he meets he sees the disillusion and dissolution of the '60s dream, and he struggles to reconcile his life now with the idealism of his youth. Meanwhile he discovers that Edan Morse, suspected years ago of social agitation that verged on terrorism, is trying to engineer an unlikely reunion of the Nazgūl, for some dark and disturbing purpose.
The novel is a requiem for the 1960s: its hopes, its liberation, its friendships and most of all its music. I found myself wishing I was at the concerts Martin so thrillingly describes, and that I could go on amazon and order the Nazgūl's albums! But a bigger ambition than nostalgia becomes apparent, as the book edges into supernatural territory and Sandy Blair's fight to maintain his ideals becomes crucial to the future of the world.
Like everything George R R Martin writes, the novel is smoothly engineered, peopled with richly sympathetic characters, deeply felt and boldly imagined. A powerful and satisfying read.
3 of 3 people found the following review helpful
Format:Paperback
Starts out as a murder mystery before changing into something more sinister. I liked the correlation of powerful music with the supernatural - an evocative theme!
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