| ||||||||||||
 Trade In this Item for up to £1.00
Get an extra £5 when you trade in books worth £10 or more until June 30, 2012. Trade in The "Apocalypse Now " Book for an Amazon.co.uk gift card of up to £1.00, which you can then spend on millions of items across the site. Trade-in values may vary (terms apply). Find more products eligible for trade-in.
|
Frequently Bought Together
Product details
|
More About the Author
Product Description
Product Description
Tracing the genesis of a masterpiece like Apocalypse Now yields no easy eureka. Read the first page
Concordance
Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
Suggested Tags from Similar Products(What's this?)Be the first one to add a relevant tag (keyword that's strongly related to this product)
|
Sell a Digital Version of This Book in the Kindle Store
What Other Items Do Customers Buy After Viewing This Item?
Customer Reviews
Peter Cowie had access to archive material and interviews with Coppola and members of cast and crew. For readers, this is a mixed blessing. Obviously it can provide some great insights into the film, but equally obviously, Coppola was only going to give this access to a sympathetic writer. Cowie is a little too reverential for my taste--you feel he's too close to the crew to stand back and give a critical judgement. Perhaps this is an unfair criticism, but his style is just too American for me. Despite this, the book is a valuable companion to the movie--just don't expect writing that can match the film, or any facts you haven't read around in articles the time of the Redux version's release.
Ultimatly, if you love the film, you'll like the book. I'm glad I own it, but it is only a minor enhancement to the pleasure of viewing the film itself, and that's as it should be. One final gripe--more pictures, and in colour, would improve it no end. Probably one for real fans only
That being said, the rest of the book is very informative, in some cases too informative. The background, pre-production detail is nearly staggering. I would have liked to have learned more about screenwriter John Milius' original script idea, "The Psychedelic Soldier," which, after he was inspired by the idea to do a modern tribute to Conrad's "Heart of Darkness," became Apocalypse Now. Cowie, however, does do a great job of mentioning many of the early drafts of the script, even quoting from the rarely-seen first draft, in which the VC speak in goofy subtitles, and Colonel Kilgore is known as Colonel Kharnage.
The level of research Cowie has performed leaves me wondering over many glaring omissions. For example, the highlight of the book is a chapter titled "Buried Treasure," in which Cowie goes over the 5 ½ hour work print. Though he gives detailed descriptions of the major scenes that are in the work print, but were not included in the original version (or the Redux), there's no mention of the Photojournalist's death scene, which is a major revelation of the work print. Likewise, Cowie doesn't mention how deadly Martin Sheen's Willard is in the work print; for example, in it he kills a child in the climax.
Cowie also fails to cover little bits and pieces that are interesting in the film. For example, he doesn't mention that Lee Ermey, who would later make film history as the drill instructor in "Full Metal Jacket," plays one of Kilgore's helicopter pilots, during the beach raid sequence. And there is no detail about what scenes, exactly, Harvey Keitel filmed during the few weeks he spent on the set. But these little matters are trivial. The fact is, the book is a pretty good compendium of information about my favorite movie. There are no color photos, but there are some nice behind-the-scenes shots and stills, including a very nice one of Willard's head coming out of the swamp, enshrouded in fog.
The main thing I found interesting in the book was that cinematographer Storaro advised Coppola to end the movie on a pessimistic note. Watching one of the early edits, Storaro urged Coppola to integrate the scenes of Willard hacking at Kurtz with the caribou sacrifice, as well as the shots of Kurtz's compound exploding. The way Storaro envisioned it, Willard would kill Kurtz at the exact same time as the air strike, which would obliterate all of them. A very dark ending, but Coppola obviously didn't like it. The footage of Kurtz's compound being destroyed, by the way, is included as an extra on the Apocalypse Now (original version) DVD.
Listmania!
|
|
Look for similar items by category
Look for similar items by subject
Feedback
- Would you like to update product info or give feedback on images?
- I am the Author, and I want to comment on my book.
- I am the Publisher, and I want to comment on this book.
|
