The American Boy: Amazon.co.uk: Andrew Taylor: Books

Review

Praise for The American Boy:
‘Hugely entertaining. Its beguiling story and atmospheric evocation of Regency London and the winter landscapes of Gloucestershire cry out for a wingback chair by a blazing fire’Observer

'In the end, the myriad mysteries of The American Boy are all neatly accounted for, as one would expect from a thriller writer such as Taylor. But he has transcended any limitations of genre in this novel, for it is a wonderful book, richly composed and beautifully written, an enthralling read from start to finish' The Times

'Creates an atmosphere close to Sarah Waters' Fingersmith in the convincing depiction of a sadistic underworld. Taylor's deeply absorbing and beautifully written book is a fitting tribute to the founding father of crime fiction' Independent

'A most artful and delightful book, that will both amuse and chill, and it will have you desperate to search out a quiet corner to continue your acquaintance with it' Daily Telegraph

'Taylor spins a magnificent tangential web… The book is full of sharply-etched details evoking Dickensian London and is also a love story, shot through with the pain of a penniless and despised lover. This novel has the literary values which should take it to the top of the lists' Scotland on Sunday'

'It is as if Taylor has used the great master of the bizarre as both starting- and finishing- point, but in between created a period piece with its own unique voice.The result should satisfy those drawn to the fictions of the 19th century, or Poe, or indeed to crime writing at its most creative' Spectator

Praise for The American Boy:

Long, sumptuous, near-edible account of Regency rogues – wicked bankers, City swindlers, crooked pedagogues and ladies on the make – all joined in the pursuit of the rich, full, sometimes shady life. A plot stuffed with incident and character, with period details impeccably rendered' Literary Review

‘An enticing work of fiction…Taylor takes account of both a Georgian formality and a pre-Victorian laxity in social and sexual matters; he is adept at historical recreation, and allows a heady décor to work in his favour by having his mysteries come wrapped around by a creepy London fog or embedded picturesquely in a Gloucestershire snowdrift’ Times Literary Supplement

‘Madness, murder, misapplied money and macabre marriages are interspersed with coffins,corpses and cancelled codicils… an enjoyable and well-constructed puzzle' Sunday Times

'Andrew Taylor has flawlessly created the atmosphere of late regency London in The American Boy, with a cast of sharply observed characters in this dark tale of murder and embezzlement' Sunday Telegraph

Review

Praise for The American Boy: 'Hugely entertaining. Its beguiling story and atmospheric evocation of Regency London and the winter landscapes of Gloucestershire cry out for a wingback chair by a blazing fire'Observer 'In the end, the myriad mysteries of The American Boy are all neatly accounted for, as one would expect from a thriller writer such as Taylor. But he has transcended any limitations of genre in this novel, for it is a wonderful book, richly composed and beautifully written, an enthralling read from start to finish' The Times 'Creates an atmosphere close to Sarah Waters' Fingersmith in the convincing depiction of a sadistic underworld. Taylor's deeply absorbing and beautifully written book is a fitting tribute to the founding father of crime fiction' Independent 'A most artful and delightful book, that will both amuse and chill, and it will have you desperate to search out a quiet corner to continue your acquaintance with it' Daily Telegraph 'Taylor spins a magnificent tangential web! The book is full of sharply-etched details evoking Dickensian London and is also a love story, shot through with the pain of a penniless and despised lover. This novel has the literary values which should take it to the top of the lists' Scotland on Sunday' 'It is as if Taylor has used the great master of the bizarre as both starting- and finishing- point, but in between created a period piece with its own unique voice.The result should satisfy those drawn to the fictions of the 19th century, or Poe, or indeed to crime writing at its most creative' Spectator Praise for The American Boy: Long, sumptuous, near-edible account of Regency rogues -- wicked bankers, City swindlers, crooked pedagogues and ladies on the make -- all joined in the pursuit of the rich, full, sometimes shady life. A plot stuffed with incident and character, with period details impeccably rendered' Literary Review 'An enticing work of fiction!Taylor takes account of both a Georgian formality and a pre-Victorian laxity in social and sexual matters; he is adept at historical recreation, and allows a heady decor to work in his favour by having his mysteries come wrapped around by a creepy London fog or embedded picturesquely in a Gloucestershire snowdrift' Times Literary Supplement 'Madness, murder, misapplied money and macabre marriages are interspersed with coffins,corpses and cancelled codicils! an enjoyable and well-constructed puzzle' Sunday Times 'Andrew Taylor has flawlessly created the atmosphere of late regency London in The American Boy, with a cast of sharply observed characters in this dark tale of murder and embezzlement' Sunday Telegraph

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64 of 65 people found the following review helpful

Enthralling 19th century tale of Mystery, Romance, and Murder 9 Aug 2006

By Clarence T. Henry

Format:Paperback

The American Boy is an enthralling tale that takes place in 19th century London. Thomas Shield is a schoolmaster, who, in the course of his duties, meets two young boys: Charles Frant and Edgar Allan. Through these boys, Mr. Shields is introduced to London's high society and in particular, two wealthy banking families: the Frants and Carswells. Shield is immediately attracted to the striking Mrs. Frant and Miss Carswell. But two murders propel the story forward to its unexpected, terrifying conclusion.

The author's fluid prose and authentic 19th century language is totally captivating. One gets immediately transported to the past unlike other historical novels. Don't get fooled: the story is about Thomas Shield's narrative account of the Wavenhoe banking family and the murder or disappearance of Mr. Henry Frant, not Edgar Allan Poe. The boy, who later becomes the famous mystery writer, is only peripheral character, and yet his actions, subtle as they are, actually affect the course of events. Taylor uses this technique brilliantly. Furthermore, the author's deft use of other historical events, such as the Banking crisis and the War of 1812, as well as an authentic portrayal of the notorious London slums make for a satisfying and gritty novel.

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145 of 149 people found the following review helpful

500 pages of escapism bliss ! Buy it ! 20 April 2005

By M. J. Holland

Here's another book I only read because it was on the list of 10 books nominated for a Best Read Award on Richard and Judy. The author was new to me and I was also not in the habit of reading historical fiction. So this book was a wonderful surprise and having read it I could fully understand all the praise heaped upon it.
Once I began it was hard to put the book down.This is almost 500 pages of escapism bliss as Taylor's beautifully told tale slowly unfolds. It's a hybrid of historical and crime fiction that is incredibly atmospheric of nineteenth century London. The novel it most reminds me of,if you want a pointer, is Wilkie Collins' "Woman in White" and the fact that I compare it to that great classic shows how highly I think of this book.If you like Wilkie Collins or maybe even Charles Dickens you will love this book.
I see no point in revealing any details of the intricate plot as I'm sure any literate reader will be quickly gripped by Thomas Shield's quest.I will,however,say that I was pleased with the conclusion of the book, which is not one of those banal denouements where all the loose ends are miraculously tidied up and everyone lives happily ever after.
If you are looking for an engrossing and pleasurable read you cannot possibly go wrong with this book. I can guarantee that you will be enthralled and perhaps a bit sad that it isn't even longer !

13 of 13 people found the following review helpful

almost riveting enough to pull a sickie for 26 Jan 2006

By A Customer

I hadn't seen any hype or reviews or indeed the blessed R&Judy when I bought this book - it just looked intriguing. I was utterly swept away by it and couldn't put it down. I found myself reading until 3am, and was glad of a day off as otherwise I would have been tempted to pull a sickie to finish it. The atmosphere, the story-telling, the landscapes, the descriptions: all were wonderful, and definitely reminiscent of the brilliant Wilkie Collins. Rarely has a book grabbed my attention and caught me up so dramatically as this one did.

BUT - and this is a big but - it all fell apart at the end. The unravelling of the plot was needlessly confusing and over-involved, and I felt deeply disappointed. I also felt not enough was made of Edgar Allan Poe - I was really expecting a final Poe-esque twist involving burials alive, or ravens, or something similar.

So - almost brilliant, but too complicated by half at the end. I wondered if he'd actually plotted the book, or whether after writing most of it he suddenly found himself having to come up with a solution to the mystery and couldn't find his way out.