Academy Award winner George Clooney stars in the title role of this suspense thriller, filmed on location in Italy.
Alone among assassins, Jack (played by Mr. Clooney) is a master craftsman. When a job in Sweden ends more harshly than expected for this American abroad, he vows to his contact Larry (Bruce Altman) that his next assignment will be his last. Jack reports to the Italian countryside, where he holes up in a small town and relishes being away from death for a spell. The assignment, as specified by a Belgian woman, Mathilde (Thekla Reuten of “In Bruges”), is in the offing as a weapon is constructed. Surprising himself, Jack seeks out the friendship of local priest Father Benedetto (Italian stage and screen veteran Paolo Bonacelli) and pursues romance with local woman Clara (Italian leading lady Violante Placido). But by stepping out of the shadows, Jack may be tempting fate.Special Features:
- Journey to redemption: The Making of The American
- Feature Commentary
- Deleted Scenes
Anton Corbijn gives the crime film a distinctly European twist in this understated thriller (think The Day of the Jackal
). A trim George Clooney plays Jack, a hit man who relocates from Sweden to Italy after assailants try to take his life. Jack's handler (Johan Leysen) advises him not to make any friends, which proves easier said than done. Ensconced in medieval Abruzzo, the assassin passes himself off as a photographer (in Martin Booth's novel, A Very Private Gentleman, he claimed to be an illustrator), but he's actually customizing an assault rifle for Mathilde (Thekla Reuten), his female counterpart. Upon his excursions through town, Jack meets Father Benedetto (Paolo Bonacelli), who senses he has something to confess--"A priest sees everything," he explains--but Jack would prefer to share a brandy. He also befriends Clara, a prostitute (Violante Placido, perfectly comfortable with onscreen nudity). What starts out as a sexual relationship deepens as Jack's sensitive side--he has a thing for butterflies--emerges, but then the Swedes discover his hiding place, and Jack develops doubts about his lady friends, leading to a showdown that plays like a scene from an old Western, a debt Corbijn acknowledges when Jack chances upon a broadcast of Once upon a Time in the West
. If the conclusion doesn't cut as deep as the director intends, his admirable restraint throughout keeps the tension at a low boil, while Clooney tamps down his charisma to play a dogged professional with redemption on his mind. --Kathleen C. Fennessy