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The Ambassadors (Classics)
 
 
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The Ambassadors (Classics) [Mass Market Paperback]

Henry James , Harry Levin
3.1 out of 5 stars  See all reviews (7 customer reviews)

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Product details

  • Mass Market Paperback: 528 pages
  • Publisher: Penguin Classics; Reprint edition (4 Dec 2003)
  • Language English
  • ISBN-10: 0140432337
  • ISBN-13: 978-0140432336
  • Product Dimensions: 13.2 x 2.4 x 19.8 cm
  • Average Customer Review: 3.1 out of 5 stars  See all reviews (7 customer reviews)
  • Amazon Bestsellers Rank: 452,884 in Books (See Top 100 in Books)

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Henry James
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Product Description

Review

?He is as solitary in the history of the novel as Shakespeare in the history of poetry.?
?Graham Greene

--This text refers to the Paperback edition.

Product Description

Concerned that her son Chad may have become involved with a woman of dubious reputation, the formidable Mrs Newsome sends her 'ambassador' Strether from Massachusetts to Paris to extricate him. Strether's mission, however, is gradually undermined as he falls under the spell of the city and finds Chad refined rather than corrupted by its influence and that of his charming companion, the comtesse de Vionnet. As the summer wears on, Mrs Newsome comes to the conclusion that she must send another envoy to Paris to confront the errant Chad, and a Strether whose view of the world has changed profoundly. James's favourite novel and one of the greatest of his late works, The Ambassadors is a subtle and often witty exploration of different American responses to a European environment.

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First Sentence
Strether's first question, when he reached the hotel, was a about his friend; yet on his learning that Waymarsh was apparently not to arrive till evening he was not wholly disconcerted. Read the first page
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Customer Reviews

Most Helpful Customer Reviews
6 of 7 people found the following review helpful
Format:Paperback
I have never read a Henry James work that I haven't had to restart more than a couple of times before reaching the lightbulb moment of understanding. I was even afraid it would never come in 'The Ambassadors'. James's prose is at its densest and most convoluted here, and demands large amounts of concentration, but once you are 'in', you'll be glad you made the effort. It is a beautiful, comic, ironic, subtley-drawn story of a man's personal crisis in the afternoon of his life, set against the background of one of the most artistic, romantic and complex cities in the world.

Lambert Strether is 'our friend' - an amiable, naive, middle-aged American charged with the retrieval of his 'friend's' - the formidable Mrs Newsome's - son, Chad, from his suspected immoral lifestyle in Paris. Strether's personal, social and economic future all hang on his successfully prying Chad away and bringing him safely back to the family nest, where the family business and a strategic marriage await him. However, all does not go according to plan. Seduced by the charms of Paris and its delightful inhabitants, Strether experiences something of a second youth, throwing himself giddily into the social life of a city that is worlds apart from his conservative, uptight, native home of Woollett. So dazzled is Strether that he allows himself to be pleasantly manipulated and exploited by those around him, whose personal interests are in direct opposition to his own. Poor Strether is always several paces behind, and doesn't seem to know what's good for him, but this makes him all the more loveable.

James' linguistic style is at its most extravagant here - every utterance, glance, movement, or silence, is dissected, analysed, and contrasted ad nauseam. The characters are largely self-engrossed, indolent creatures, who spend their time speaking in allusions and metaphor while they praise people for being 'wonderful', 'good' and 'free', and criticize those who don't seem to appreciate the virtues of their decadent lifestyles. James has a fine old time poking fun at all parties involved, including, I suspect, himself. He paints Parisian society as enticing and splendid, yet ultimately deceptive and disillusioning. It brings about Strether's ruin, but we doubt he'd have chosen it any other way.

Henry James is not to everyone's taste, and I suspect that The Ambassadors is the most challenging of his novels. Essentially, it is largely some waffle about rather pretentious, unsympathetic people who do nothing in particular, expressed in tortuous (and sometimes torturous) prose. But there is something about that which is brilliant in itself.
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13 of 18 people found the following review helpful
Format:Mass Market Paperback
Frankly, this book drove me up the wall. I came to it on the joyous wave of 'Portrait of a Lady' and the straightforward pleasures of 'Washington Square' and ran smiling into the impenetrable wall of James' prose. Everything you have heard about the dense thickets of grammar are true, and I confess I lacked the necessary machete of patience. All characters live in a state of constant allusion and circumlocution, and are forever describing each other: "Of course, she's wonderful...", "Of course, he is the most charming...", "Of course, she is magnificent...'" without the reader ever quite being allowed to actually see any wonder or charm or magnificence being employed by any of the people so described.

If this is to be your first Henry James experience, it shouldn't be. 'Portrait of a Lady', on the other hand, quivers with delightfulness.
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4 of 6 people found the following review helpful
Format:Paperback
Buttoned-up, late-middle-aged Strether, from Boston, is sent to Paris to 'rescue' a friend's wayward son, Chad, from his allegedly dissolute lifestyle. However on the way he begins a sort of romance of his own, finds Paris liberating and discovers Chad and his girlfriend to be charming and cultured. Torn in his loyalties, he cannot act decisively, even when more Bostonians are sent out after him. This great comedy of manners was somewhat weakened for me by the sheer amount of painfully-unsure interiority, with Strether's continual revisions and worries expressed in vast, multiple-claused, self-correcting sentences. I'd quote one except it'd take up more space than this whole review. There is also less 'action' than we're used to nowadays, and by page 400 or so I was flagging. All the characters are so sensitive and circumspect that they keep referring to each other as 'our friend' and 'the person we know' which makes it even harder to follow. The most dramatic scenes happen off-stage, and despite their artiness, the characters never talk about anything except each other. I'm glad to have read it, and sometimes, when I was feeling at peak mental fitness, I even enjoyed it in an exhilarating, mountaineering way, but I think I've earned a Jackie Collins now... :-)
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