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The Age of Shiva: A Novel [Hardcover]

Manil Suri
1.4 out of 5 stars  See all reviews (5 customer reviews)

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Book Description

12 Feb 2008
Following his spectacular debut, The Death of Vishnu, Manil Suri returns with a mesmerizing story of modern India, richly layered with themes from Hindu mythology. The Age of Shiva is at once a powerful story of a country in turmoil and an extraordinary portrait of maternal love. Meera, the narrator, is seventeen years old when she catches her first glimpse of Dev, performing a song so infused with passion that it arouses in her the first flush of erotic longing. She wonders if she can steal him away from Roopa, her older, more beautiful sister, who has brought her along to see him. When Meera s reverie comes true, it does not lead to the fairy-tale marriage she imagined. She escapes her overbearing father only to find herself thrust into the male-dominated landscape of India after independence. Dev s family is orthodox and domineering, his physical demands oppressive. His brother Arya lusts after her with the same intensity that fuels his right-wing politics. Although Meera develops an unexpected affinity with her sister-in-law Sandhya, the tenderness they share is as heartbreaking as it is fleeting. It is only when her son is born that Meera begins to imagine a life of fulfillment. She engulfs him with a love so deep, so overpowering, that she must fear its consequences. Meera's unforgettable story, embodying Shiva as a symbol of religious upheaval, places The Age of Shiva among the most compelling novels to emerge from contemporary India.

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Product details

  • Hardcover: 448 pages
  • Publisher: W. W. Norton & Co.; First Edition, First Printing edition (12 Feb 2008)
  • Language: English
  • ISBN-10: 0393065693
  • ISBN-13: 978-0393065695
  • Product Dimensions: 3.8 x 17.1 x 24.8 cm
  • Average Customer Review: 1.4 out of 5 stars  See all reviews (5 customer reviews)
  • Amazon Bestsellers Rank: 4,319,775 in Books (See Top 100 in Books)

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Review

'Suri reveals an immense humanity and tenderness drawn by this compelling narrative, I read this marvelous book in one sitting' Kiran Desai 'Like Anna Karenina, The Age of Shiva is both intimate and epic a majestic story about love and its unexpected consequences' Amy Tan 'The Age of Shiva takes the raw, bright colours of the real India and softens them with a tender humanity borrowed from the mythology of a more ancient past' Independent on Sunday 'Captivating The Age of Shiva affirms Suri's position as a writer worth serious attention' New York Times --This text refers to the Paperback edition.

From the Author

My original idea in writing The Age of Shiva was to create a central character Ashvin who is never quite attained by the people in his life who love him. In this, he would be like the Hindu god Shiva, who is so alluring because he is an ascetic - his unattainability evoking an irresistible longing which can never be fulfilled. I started with Ashvin's mother Meera, the first person in his life to be passionate about him - I figured that perhaps a chapter or so about her back history would help explain her motivations. Two hundred pages later, with Ashvin yet to be born, I realized I was writing Meera's story, not her son's.

Where did Meera's voice come from? All I can say is that for the years I worked on this novel, she was a constant presence in my life. It was an incredible experience - to be able to think like Meera, love like her, feel what she was feeling, to be her. I still feel amazed at having had this opportunity to inhabit a woman's mind so intimately.

I tried my best not to impinge on Meera's humanness, not to airbrush her character or interfere with the choices she made. Most of all, I refused to force Meera into being a noble heroine. Meera's India was a very patriarchal society, a period of oppressive expectations and few true freedoms for women. My aim throughout was to intuit how Meera would react under these pressures and constraints.

In comparison, I had to work more consciously at putting myself in Ashvin's place. Perhaps this was because my own experiences as a son, so different from those in the novel (my parents were married for over fifty years, until my father passed away at age eighty-two) kept getting in the way. It was easier to lose myself in Meera's love for Ashvin, the fabled all-encompassing maternal rapture for which there is even a special word "vatsalya" in some Indian languages. The challenge was to go further than the carefree physicality shared by sons and mothers, by exploring the gray area just beyond this.

Shiva kept wafting in and out through the pages I wrote, sometimes as a force of attraction or longing, sometimes in the form of the myths he shares with Parvati, sometimes as a symbol of religious ascendancy. I was drawn to the idea of writing a story not only of Meera (and Ashvin) coming of age, but also of the newly independent India struggling to reach adulthood. The most fascinating part of the research was to spend many hours in the Mumbai microfilm library of the Times of India, browsing through decades' worth of newspapers, trying to get a feel for the atmosphere prevailing in the country during various periods.

Each time I read an account of the history of postcolonial India, I was struck by the tremendous odds that faced the country at Independence. To have remained united despite its divisions of ideology and class, its profusion of orthodoxies and prejudices, its crushing illiteracy and poverty, and most of all, its profound religious schisms, is amazing. For India to have risen in sixty years to a point where it is poised to become a major power on the world stage is nothing short of a miracle. Writing this novel has been a journey of discovery for me, one that has helped me better understand the evolution of the country of my birth. --This text refers to an out of print or unavailable edition of this title.


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Most Helpful Customer Reviews
1 of 1 people found the following review helpful
2.0 out of 5 stars A whole load of notjhing.. 29 April 2009
Format:Hardcover
This book made me very angry at Meera, and her character. The book itself is not worth a read, and basically is a waste of time. Too many bad decisions, self pity, sexual tones where they were not tasteful, or even required.

Disappointing.
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2 of 3 people found the following review helpful
1.0 out of 5 stars Disappointing and disturbing 27 Mar 2009
By Alison
Format:Hardcover
I had high hopes for this book, since its back cover was plastered with quotes from various newspapers. But it didn't take me long before I was starting to wonder if I was reading the same book as they had. Problems started on the first page - a highly sexualised description of breast feeding - and got worse from there. Meera, the main character, I found impossible to like. Her choices seemed to be based purely on what would cause the most problems for herself - problems she then blamed on other people. Her motivations seemed to be based purely on jealousy and competition, something which a skilled writer might have been able to make work with a stronger character, but Meera's passivity made her impossible to emphasise with. And that's without mentioning the downright disturbing relationship with her son (she developed strong sexual feelings for him and grew obsessed).

Although the descriptions are occasionally good, they are also far too long and numerous, slowing the pace down to a crawl. I found myself skimming much of it. Definitely not recommended.
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1 of 2 people found the following review helpful
Format:Paperback
At over 400 pages, this book is twice as long as it should be. It can be roughly split into a good half and a bizarre bad half.

I love books on India and this looked promising to begin with - the central character, Meena, ensnares her sister's boyfriend and lives to regret it. The trouble is that she isn't very likable - if fact a bit of a misandrist. Her lovely father who tries to do so much for her is ridiculed. Her husband and brother in law are portrayed as rather pathetic and her spineless son seems to have an almost Oedipus complex.

I found the politicization and the academic success of her mother and sister bizarre. The second half was just a vacuous political rant interspersed with tales of "poor me, poor me". Much more could have been made of the relationship with her sister in law and her childless marriage.

I would almost have expected this book to have been written by a "wimmin", so it was surprising that a man wrote it. Very disappointing.
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