"[The Aesthetics of Resistance] is a magnum opus which sees itself ... not only as the expression of an ephemeral wish for redemption, but as an expression of the will to be on the side of the victims at the end of time."--W. G. Sebald, On the Natural History of Destruction "[The Aesthetics of Resistance] ... which [Peter Weiss] began when he was well over fifty, making a pilgrimage over the arid slopes of cultural and contemporary history in the company of pavor nocturnus, the terror of the night, and laden with a monstrous weight of ideological ballast, is a magnum opus which sees itself ... not only as the expression of an ephemeral wish for redemption, but as an expression of the will to be on the side of the victims at the end of time."--W. G. Sebald, On the Natural History of Destruction "The Aesthetics of Resistance is centrally important to any kind of assessment of twentieth-century German history."--James Rolleston, editor of A Companion to the Works of Franz Kafka "One of the most significant works of postwar German literature... The novel feels like an endless soliloquy on a bare stage, but one that takes the audience on the most amazingly imaginative time-and-space journey, with the narrative perspective cutting like a movie director's camera from one intensely rendered visual detail to the next... Exhilaratingly strange, compelling, and original. Readers who dare to enter this demanding verbal landscape will not come away empty-handed."--Mark M. Anderson, Bookforum "Some of the most gripping--and most beautiful--passages of Weiss's novel appear in detailed examinations of classic paintings by Delacroix, Goya, Brueghel, Gericault, Munch and others, and their bearing on contemporary struggles... Weiss's project has another, deeper aim than advancing the socialist revolution, namely to give voice to fascism's victims, and to preserve the memory of their lives and example--hence the archival nature of his work, with its painstaking attention to the names of fallen comrades."--Noah Isenberg, The Nation "This excellent translation of the first volume of this formidable, convoluted masterpiece makes Weiss's autobiographical novel, one of the major works of literature of the 20th century, available in English for the first time... Essential."--R.C. Conard, CHOICE "The Aesthetics of Resistance writes those who have been culturally and historically excluded back into the story of their time and demands--as modernism does--that we learn to read in a new way... The monuments of modernism today rise like Ozymandias' statue in the sand: Ulysses, Proust, Beckett, Pound's Cantos, The Making of Americans, The Waste Land. At last, we have an English translation of a work that stands alongside them."--Robert Buckeye, Review of Contemporary Fiction "The novel has long enjoyed a prominent place in the German intellectual left. Now that the first volume is finally available from Duke University Press in a superb English translation by Joachim Neugroschel (with a readable and engaging foreword by Fredric Jameson), Weiss's work can finally emerge into the wider public sphere where it deserves to occupy a prominent space."-- Inez Hedges, Socialism and Democracy "One of the most powerful books of contemporary German literature, this sprawling, sprited work is a novel masquerading as history masquerading as a novel as... The story, magnficently translated by Joachim Neugroschel, is splendid, experimental, and absolutely gripping."-- The Tempest
About the Author
Peter Weiss (1916-1982) was a German playwright, novelist, filmmaker, and painter. His works include the plays "Marat/Sade" and "The New Trial "(also published by Duke University Press) and the novels "The Shadow of the Body of the Coachman" and "The Conversation of the Three Walkers." West Germany's most important literary award, the Georg Buchner Prize, was awarded to Weiss posthumously in 1982.Joachim Neugroschel has translated some two hundred books, including works by Franz Kafka, Marcel Proust, and Thomas Mann. He has won three pen translation awards and a French-American Foundation Translation Prize. He lives in Queens, New York.