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That's Why God Made The Radio


Price: £4.15 & FREE Delivery in the UK on orders over £10. Details
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The Beach Boys' SMiLE Sessions deluxe box set

Biography

Their classic songs epitomize the spirit of the California lifestyle and The Beach Boys have become an American icon to a worldwide audience. The Beach Boys’ first hit “Surfin’” (1961) launched a string of chart-topping songs that spans nearly forty years and includes eternal anthems of American youth: “Surfin’ USA”, “Surfer Girl”, ... Read more in Amazon's The Beach Boys Store

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Frequently Bought Together

That's Why God Made The Radio + Live - The 50th Anniversary Tour
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Product details

  • Audio CD (4 Jun 2012)
  • Number of Discs: 1
  • Label: EMI Catalogue
  • ASIN: B007U1FEJE
  • Other Editions: Audio CD  |  Vinyl  |  MP3 Download
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (111 customer reviews)
  • Amazon Bestsellers Rank: 15,031 in Music (See Top 100 in Music)

Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.
                                                                                                                                                                                                                                                                                                                                         

Samples
Song Title Time Price
Listen  1. Think About The Days 1:27£0.99  Buy MP3 
Listen  2. That's Why God Made The Radio 3:19£0.99  Buy MP3 
Listen  3. Isn't It Time 3:43£0.99  Buy MP3 
Listen  4. Spring Vacation 3:04£0.99  Buy MP3 
Listen  5. The Private Life Of Bill And Sue 4:16£0.99  Buy MP3 
Listen  6. Shelter 3:00£0.99  Buy MP3 
Listen  7. Daybreak Over The Ocean 4:19£0.99  Buy MP3 
Listen  8. Beaches In Mind 2:36£0.99  Buy MP3 
Listen  9. Strange World 3:03£0.99  Buy MP3 
Listen10. From There To Back Again 3:23£0.99  Buy MP3 
Listen11. Pacific Coast Highway 1:47£0.99  Buy MP3 
Listen12. Summer's Gone 4:41£0.99  Buy MP3 

Product Description

To celebrate their 50th anniversary, Beach Boys Brian Wilson, Mike Love, Al Jardine, Bruce Johnston, and David Marks reunited in Los Angeles’ Ocean Way Studios for That’s Why God Made The Radio, the band’s 29th studio album, the first in decades to feature all of the band’s surviving original members. Produced by Brian Wilson and executive produced by Mike Love, the album’s eleven songs illustrate The Beach Boys’ unique and evocative West Coast story with the band’s timeless signature sound.

Classic Rock – 8/10

“The songs float in melody and nostalgia like every great Beach Boys song since Surf’s Up or Do It Again.”

 

Mojo – August 2012 - ****

“This album, at its best so wistfully reliving our golden yesterdays, ranks up there with Today!”

Customer Reviews

4.5 out of 5 stars

Most Helpful Customer Reviews

17 of 17 people found the following review helpful By T. C. Casagranda on 8 Jun 2012
Format: Audio CD
I always thought that this would be a pointless exercise, a bit like the awful Jeffferson Airplane comeback album from 1989, or Sinatra's Duets recordings from the early 1990s.

Thankfully not, as I found this to be a great album, bar Mike Love's sole soul-less composition. Of late, and I refer to previous albums from MIU onwards, The Beach Boys output has been throughly insipid, throughly uninspired, thoroughly awful. The best Beach Boy albums have been the solo recordings, i.e Carl's Youngblood, Dennis' Pacific Ocean Blue, and Brian's wonderful comeback as a functioning recording artist, from Brian Wilson (1988), I Just Wasn't Made for These Times (1995), Live At The Roxy, Smile, Lucky old Sun, etc.

The album does show that the Boys can revisit the close harmony material, a la Our Prayer, Brian's One For The Boys, on Think About The Days. It is also good that Brian's Wondermints backing musicians aid and abet the regular Beach Boys, i.e. Jeffrey Foskett and Darian Sahanaja, into creating an album that doesn't seem anachronistic, and this is apparent on the title track. I think this also harkens back to the vibe of Mount Vernon from Holland, but is, however, in a happier un-drugged state of mind.

Another old associate of Brian's appears as songwriter on most of the tracks, i.e. Joe Thomas - he produced 1998's solo album Imagination, which was a trifle over-done, but also contained great tracks, i.e Lay Down Burden. Isn't It Time is great, but Spring Vacation does over-egg the pudding somewhat with an unsubtle reference to Good Vibrations.

The Private Life of Bill & Sue shows that Brian is not afraid to write about a day to day scenario, a bit like McCartney on Another Day and Back Seat of My Car, or English Tea for that matter.
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52 of 55 people found the following review helpful By Ray Wortley on 4 Jun 2012
Format: Audio CD
Let's be clear, this isn't another Pet Sounds or Smile but if it is the final studio album from the Beach Boys it does provide the perfect coda to what has been a magnificent career. It begins with outstanding track "Think about the days" where sublime vocals are set against a beautiful piano piece. Then we are on to the title track where the chorus features the sort of cascading vocals that were such a central feature of "God only knows. The following three tracks wouldn't have sounded out of place on "The Beach Boys Love You" album. It would be interesting to know if Mike Love (who went from frontman and chief lyricist to pantomime villain in the eyes of many fans) wrote the couplet,

"As for the past, it's all behind us
Happier now, look where life finds us".

"Shelter" starts of a bit weakly but suddenly takes off with a superb Carl Wilson like vocal on the chorus, by Jeffrey Foskett. "Daybreak over the Ocean" the only track not at least co-written or produced by Brian follows. Fortunately for a Mike Love penned track this more "Brian's Back" rather than "Student Demonstration Time" and with it's 50's and early 60's feel would have fitted nicely alongside some of the covers on "15 Big Ones". "Beaches in Mind" seems to me to be the weakest track on the album. "Strange World" sounds like it would fit perfectly on "That Lucky Old Sun" and we finish with a series of three gems, that were apparently originally supposed to be part of six song suite. I've read that Brian originally intended that "Summer's Gone" would be the final song on the last Beach Boys album and with the final verse one can see why,

"Summer's Gone
I'm gonna sit and watch the waves
We laugh, we cry
We live then die
And dream about our yesterday.
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27 of 30 people found the following review helpful By Bodhi Heeren TOP 1000 REVIEWER on 4 Jun 2012
Format: Audio CD
People who tend to think that come-backs and reunions are only made for commercial reasons must be people who don't know about the deep bonding that happpens when people play music together. Ok, it is not always the magic can be re-created, but in most cases something surprisingly worthwhile comes out of the effort.

That is definitely the case with this 50 years reunion album from one of the greatest bands ever. Uniting the three surviving original members Brian Wilson, Al Jardine and Mike Love with 2 musicians who has an imporatant place in the history of the band. Mainstay Bruce Johnstone and the more obscure surf guitarist David Marks who joined the band at only 13 and played on the first 4 albums.

Not surprisingly Brian Wilson is the driving force here, many of the tracks based on demos of songs he had made over the years - with Beach Boys in mind. Helped out by old time friend - and sometimes 'enemy, at least in the court rooms - Mike Love, multi-talent Jeff Foskett and co-producer Joe Thomas. And a host of first-rate studio-musicians, mostly from Brian's touring band but also guitar-legend Jeff 'Skunk' Baxter.

There are some beautiful gems here. The title track is certainly a bona fide hit song. Some more introspective songs like "From there to back again". Not a bad song, interesting arrangements, exemplary playing and on top it: the still present and vital vocal magic. And as always with music of this calliber an album that wins tremedously from repeated listenings
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