Most Helpful Customer Reviews
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9 of 10 people found the following review helpful:
5.0 out of 5 stars
If you're an adolescent - or still feel like one..., 4 Sep 2008
I have to give Tess five stars because no other book I have ever read has moved me to such a degree. Thirty years later I still have my original copy, entirely disintegrated, the glue dissolved, very possibly by my hot adolescent tears. It simply tore me apart - I remember in particular struggling to finish Tess's letter from Flintcomb-Ash through eyes blurred with grief, and that after finishing the book I was well-nigh inconsolable for days. I spent the following summer touring the Dorset locations on my bicycle as a kind of pilgrimage, and remember those cruel hills pretty well too.
But having said that, I was sixteen at the time and emotionally wide open. Reading it just five years later, I could hardly get past the clumsiness and infelicities in the writing and the crude manipulation and melodrama of the plot. How could I have fallen for this? Reading it again another ten years further on I better understood the theatricality of it - it should be read in some ways like the old ballads with which Hardy was very familiar, with their highly exaggerated representations of good and evil - but the magic had gone.
Maybe the key is that Tess is a book written by an emotional adolescent - Hardy was a writer who arguably never really grew up, and his own relationships seem to bear this out - which speaks most forcefully to other adolescents. The melodrama and the suffering, the torment and the injustice which Tess is put through really are meat and drink to the average sensitive adolescent, but seem perhaps a bit foolish in retrospect.
But this isn't really a criticism. 'Tess' is by far the greatest of Hardy's novels and the high point of his career as a novelist (Jude the Obscure would tip over into self parody) and is written with a rare passion - Hardy said that he loved Tess and, although he perhaps had a funny way of showing it, his depth of feeling for his creation really comes through. Like 'The Catcher in the Rye', if you're in the right demographic - a sixteen year old or someone who still feels like one - you're going to love it. If not, you may wonder what all the fuss is about and should perhaps move straight on to Dickens.
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1 of 1 people found the following review helpful:
5.0 out of 5 stars
My first Thomas Hardy - result! I'm a convert, 17 Nov 2008
Back in September on my blog I confessed that I had never read any Thomas Hardy. As this admission coincided with the recent BBC adaptation I chose Tess of the D'Urbervilles to read. I only watched the first two episodes on TV though, and can honestly say I didn't know the second half of the story at all.
Although the book is verbose and overlong, I couldn't deny it five stars because it made me cry a little, not once, but twice! The big theme is social injustice, with the pastoral idyll ever present in the Wessex background. Tess herself is innocence and vulnerability personified, (a friend of mine said she has 'victim' written all over her).
Without spending too long on the story's details, Tess's once-noble family is now impoverished and they have to work hard for a living. Tess meets and is unwillingly deflowered by a bad but rich 'cousin' Alec, then meets a good man, Angel and is allowed to be happy for a while - the scene where Angel carries the farm-girls across the ford was lovely. But it doesn't last and Angel rejects her when she tells him her shameful secret on their wedding night - I was reading this in bed with tears rolling down my cheeks. Angel leaves her to go to the Americas and Tess, too proud to ask his family for help, goes back to toiling on farms, where Alec finds her again and pursues her with a vengeance, leading to such a sad ending upon Angel's return that I cried again, not believing that it could end this way.
The Wessex countryside was beguiling, and the influence of the industrial revolution is just beginning to make some inroads with the railways in the distant towns, and inventions like the steam-powered threshing machine. For families such as the D'Urbeyfields, life is hard and mobility is limited; but when Tess throws away the opportunity of moving up the ladder by making Alec marry her, she reinforces the class divide from her side too.
Result! I'm definitely a Hardy convert.
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