Terminator Salvation

The first thing to say about T-4 is that, for good or bad, it breaks the straightforward Terminator mould in which a target is hunted by a Terminator and protected by a guardian from beginning to end. Varied elements of this remain but that absolute pattern which remained unchanged from T-1 to T-3 is gone, and that might disappoint a lot of fans. I found the change refreshing, and the film has plenty of twists and turns from beginning to end, but the old trilogy is gone now, and often it feels much more like an extension into a new incarnation of the franchise rather than a sequel.

On the negative side, the acting is not uniformly great; I am not a big fan of Christian Bale, and would have loved to see Nick Stahl reprise his role from T-3. Most of the minor characters turn in fairly bland performances too. Anton Yelchin on the other hand is not just a good actor but an excellent mimic; it is absolutely obvious that he is Kyle Reese from the first moment he opens his mouth. He has captured Michael Biehn's range of facial and vocal expressions stunningly well.

The film has also attracted criticism for inconsistencies in the plot. Most of these will wash over you if you are watching to enjoy rather than criticise. It irritated me a little that the resistance seem much better equipped and situated than in Kyle Reese's memories from T-1; but perhaps over the course of this new trilogy that gap will close through losses to the machines as he approaches the age he was then.

Technically the film gets the full 5 stars for the DTS HD Master Audio soundtrack, great effects and pulsating traditional Terminator music (including 'You Could Be Mine'!) and unlike in "Public Enemies" the sound and dialogue are properly balanced. Visually the film clearly can tap great resources of sharpness and depth, but these are dispensed miserly at times given the grim post-apocalyptic look the director has gone for. Perfect reference shots in Full HD are not always aesthetically right for a director. The quality is there, but not always on show, and never flaunted, unless in some of the close-ups on Worthington fairly late on. Colours and contrasts are also usually very good, if one takes into account the generally grimy look cultivated.

On the cover it says "extended version", but this means you have a choice between the theatrical AND extended version; I would have to say I preferred the latter since I couldn't find any material which really seemed deserving of cutting, and the film, if anything, still seems a bit on the short side given the amount of ground covered. Other extras include good, if somewhat short, documentaries on everything from making the Moto-terminators and the Terminator factory to the work done for the "Return of an Icon" - if I say what this means it could be spoiler-ish! My only extras gripe: only one movie trailer and that for T-3! There is a leaflet advert for "District 9" in the box, how about a trailer on the disc?

One final technical note is that some have reported disc problems. I can report that the Sony BDP S 350 will play it based on factory settings having never been updated! And my 5000 ES updated Spring 2009 also plays it and loaded very quickly.

I think the film is a clear recommendation. It is a satisfying new beginning for the Terminator series (wait until you unexpectedly sight an old friend!) But it falls short of five stars due to too much bland acting, too much weak dialogue, and the eventual snowball effect of a few too many liberties and inconsistencies with previous Terminator history. Nevertheless, roll on T-5!

I had doubts about this film when it was released but despite all the negative feedback that it has recieved, I really liked it.

John Connor, for once, is portrayed as a strong albeit reluctant hero and leader instead of a whiny kid afraid of his future and Christian Bale portrays him very well, capturing the desperation and tortured emotions of a man who has to fulfil a destiny that he is starting to doubt. However, the main focus of this film is given to Marcus Wright, a mystery man portrayed by Sam Worthington who awakens in a post apocalyptic future and tries to figure out how he ended up there. The emotions that the character goes through as he discovers startling revelations about himself are all shown convincingly by Worthington, who brings a tough but also remorseful and vulnerable appeal to Marcus's plight.

The third important character in the movie is Kyle Reese, the paradoxical father of John Connor who at this point is only a teenager and portrayed by Anton Yelchin, who played Chekov in the recent Star Trek movie. Reese is shown to be a hero worshipper of the resistance, especially Connor and is compelled to join him, showing traits that would be associated with the character when played by Michael Biehn back in 1984.

The story of the film mostly revolves around Connor trying to find Reese but also about Marcus figuring out how he arrived in the wartorn future, and the story works pretty well. The camera style is mostly hand held, which adds a more natural and first hand look to the film and makes it feel more like the audience is in a warzone. Instead of the shiny Terminators from James Cameron's movies, the machines in Salvation are dark, sinister and have a more industrial look to them and there aren't any laser rifles, the only energy weapons in existence are employed by the huge Skynet machines so generally, bullets and missiles are still the favoured artillery of the resistance.

Salvation does have its flaws, but for the first Terminator movie to be set entirely in the future, it does a good job of continuuing the franchise and making it distinct from the Schwarzenegger-dominated past. While 'Ar-Nulhd' made this franchise a household name, it is refreshing to see new blood taking it in a different direction and the one thing I didn't like about the earlier films was how there was always an epic fight at the beginning of the film before they turned into a long and drawn out chase before another fight at the end. Salvation isn't a chase movie, it's a war movie and it's not ashamed to be different from its predecessors.

It could have been better but it is still a good movie, ideal for sci-fi and action fans and on a personal note, it's also fun to guess which scene Christian Bale was doing when he exploded in the now infamous rant against the lighting technician.

Many of the reviews I read for this film prior to release gave me the impression that the film is a train wreck. Indeed, they were bad enough that, given my work schedule, I didn't make the effort to see the film in the cinema. Finally, a friend lent me the Blu-ray and after leaving it on a shelf for six weeks, I decided to watch it one evening and was surprised to find myself enjoying it.

Sam Worthington's performance is particularly of note and Moon Bloodgood is a very good foil for him. Christian Bale, whom I rate highly as an actor is only so so in the film: his delivery of his first words is enough to induce giggles and gave me the feeling he was doing his 'Batman voice'.

I like the idea that this is a different future from the one Michael Biehn's Kyle Reese came back from in the first Terminator film: a future influenced by the time travelling events of the first trilogy. It also leaves room for the likes of Terminator: The Sarah Connor Chronicles to exist in a parallel timeline. Anton Yelchin is likeable as Kyle Reese, but not quite the 'great evocation' of Michael Biehn's performance some claim it to be. The hybrid Roland Kickinger/CGI Schwarzenegger Terminator is considerably better than I expected it to be.

The story feels rather unbalanced in trying to deal with both Bale's Connor and Worthington's Marcus and the ending of the movie doesn't work for me at all. I've only watched the extended cut, but an early scene where Michael Ironside's character pulls a gun on John Connor is, to me, a critical relationship moment and thematically relevant to the time travelling background of the original films that is, apparently, lost in the theatrical cut.

All in all, a better-than-expected movie, closer in quality to Terminator 3 than Terminators 1 and 2. Like T3, it feels more like a 'non-canon' tie-in novel interpretation of the mythos, but it's still fun and I would like to see a sequel.

The Blu-ray itself has gorgeous picture quality and strong sound that delivered a real bass kick from the woofer in my system. There are certainly many worse ways to spend an evening than watching Terminator: Salvation!