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| 1. A Day In the Life | |||
| 2. Hooked On Multiphonics | |||
| 3. Blonde Behind The Wheel | |||
| 4. JC Theme | |||
| 5. Starting T1 | |||
| 6. Hearse Rent A Car | |||
| 7. Tx's Hot Tail | |||
| 8. Graveyard Shootout | |||
| 9. More Deep Thoughts | |||
| 10. Dual Terminator | |||
| 11. Kicked In The Can | |||
| 12. Magnetic Personality | |||
| 13. Termina-Tricks | |||
| 14. Flying Lessons | |||
| 15. What Do You Want On Your Tombstone? | |||
| 16. Terminator Tangle | |||
| 17. Radio | |||
| 18. T3 | |||
| 19. The Terminator | |||
| 20. Open To Me - Dillon Dixon | |||
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Pumping Brad Fiedel's brooding original theme with even more menace, the composer proceeds to forge a massive, unsettling panorama of percussion-driven, electronic suffused orchestral fury that evokes an unsettling, mechanized world gone mad. Sounding like the symphonic sensibilities of Prokofiev and Shostakovich as interpreted by the mechanised forges and stamping machines of some hellish assembly line, Beltrami uses the most aggressive elements of 20th century Russian romanticism here like a steel club. There are moments of stem-winding suspense and surprisingly tranquil respites, but the main attraction is the sturm und drang of Beltrami's furious and often other-worldly action music. Also included are the gentle acoustic ballads "Open to Me" and "I Told You" by Dillon Dixon and Mia Julia, respectively, performances that seem jarringly out of place contrasted against the score's orchestral metal-fest. --Jerry McCulley
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It is possible the best of the three. The action music isn't quite up to T2's standard and it may not have nightmarish ambience of the first but it does compare well overall. The great success of this score is that it more than does the movie justice. John Connors tragic theme is wonderfully emotion and the darker theme music (though not used in the film) more than survives comparison with the other scores.
The two poppy tunes at the end offer a nice contrast to the sci-fi tracks and all in all it is good soundtrack.
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