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His fast vibrato may sound a little old fashioned on first hearing but he uses it to perfection in the Macbeth and Lucia arias, where it serves to communicate a profound sense of loss and inner grief, nor does it disturb the legato line, for instance in the superb "Quanto e Bella". He can also be extremely nimble, carelessly throwing off his phrases in "Questa o quella" as if to the manner born. Elsewhere one notices a rock steady middle register coupled with a seemingly effortless control of dynamics and skill in phrasing, with a baritonal quality which should develop as he progresses. And all this from a man of only 26, who actually sang Macduff at the tender age of 19!
One can only hope that he will provide us with more recordings over the coming months, perhaps drawing on the operas of Bellini, Donizetti and Massanet, where his voice truly belongs. Dare one hope also for the songs of Tosti, Bellini and Donizetti?
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